Johan Halvorsen, The Band Of The Grenadier Guards, Rodney Bashford's 'Entry of the Boyards' came out on April 5, 2019. With this song being about 5 minutes long, at 4:50, "Entry of the Boyards" by Johan Halvorsen, The Band Of The Grenadier Guards, Rodney Bashford is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 15 in Classic Marches by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Entry of the Boyards is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Entry of the Boyards by Johan Halvorsen, The Band Of The Grenadier Guards, Rodney Bashford is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 89 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Intermezzo No. 1 | Manuel Ponce, Simon Ghraichy | E Minor | 1 | 9A | 67 BPM | ||
La Mélancolie | Johan Halvorsen, Neeme Järvi, Bergen Philharmonic Orchestra, Melina Mandozzi | F Minor | 2 | 4A | 99 BPM | ||
Op. 12: Salut D'amour in E Major | Edward Elgar, Alexander Boldachev, Alexander Kuznetsov | D♭ Minor | 1 | 12A | 97 BPM | ||
Suite in G Major, RCT 6: No. 14, Les sauvages - Arr. for Solo Cello - Nouvelles suites de pièces de clavecin | Jean-Philippe Rameau, Christian-Pierre La Marca | F♯ Minor | 3 | 11A | 85 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM |
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