- BPM
- 88
- Key
- D♭ Major
- Camelot
- 3B
Kapitel 59 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag - David Allen, Jürgen Kalwa Information
- Acousticness
- 58%
- Danceability
- 64%
- Energy
- 20%
- Instrumentalness
- 0%
- Liveness
- 14%
- Loudness
- 60%
- Speechiness
- 94%
- Valence
- 85%
- Popularity
- 1%
- Loudness
- -23.866 dB
Summary
On 2011, the song "Kapitel 59 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" was released by David Allen, Jürgen Kalwa. The duration of Kapitel 59 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is about 3 minutes long, at 3:02. Based on our data, "Kapitel 59 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in David Allen's "Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag (Ungekürzt)" album is number 59 out of 194. Kapitel 59 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Kapitel 59 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag BPM
We consider the tempo marking of Kapitel 59 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag by David Allen, Jürgen Kalwa to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
Kapitel 59 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag Key
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Le Comte Ory / Act 1: "En proie à la tristesse" | Gioachino Rossini, Stefania Bonfadelli, Coro da Camera di Praga, Lubomir Matl, Orchestra del Teatro Comunale di Bologna, Jesús López-Cobos | C Major | 4 | 8B | 115 BPM | |
 | Four Last Songs, TrV 296: III. Beim Schlafengehen | Richard Strauss, Asmik Grigorian, Mikko Franck, Orchestre Philharmonique de Radio France | E♭ Major | 0 | 5B | 69 BPM | |
 | Puccini: Turandot, Act 2: "No, no, Principessa, altera!" (Calaf, Coro, Altoum) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Jonas Kaufmann, Michael Spyres, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 1 | 8B | 81 BPM | |
 | Clos ta paupière | Charles Gounod, Véronique Gens, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM | |
| Le Comte Ory / Act 1: "Cet écrit, noble châtelaine" | Gioachino Rossini, Stefania Bonfadelli, Marina de Liso, Marie-Ange Todorovitch, Rosella Bevacqua, Juan Diego Flórez, Bruno Pratico, Alastair Miles, Coro da Camera di Praga, Lubomir Matl, Orchestra del Teatro Comunale di Bologna, Jesús López-Cobos | C Major | 4 | 8B | 115 BPM | |
 | Medea (Medee) (Sung in Italian): Act I: Dei tuoi figli la madre (Medea) | Luigi Cherubini, Nicola Zaccaria, Joan Carlyle, Jon Vickers, Maria Callas, Fiorenza Cossotto, David Allen, Mary Wells, Elizabeth Rust, Royal Opera House Chorus, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Nicola Rescigno | G Major | 2 | 9B | 85 BPM | |
 | La Bohème: Pavarotti’s first high C ever: Che gelida manina! | Giacomo Puccini, Orchestra e Coro del teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli, Luciano Pavarotti | F Minor | 5 | 4A | 89 BPM | |
 | Les 7 paroles du Christ: 4e Parole - "Deus meus, ut quid dereliquisti me ?" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | E♭ Major | 0 | 5B | 82 BPM | |
 | Il Pirata, Act II: Che rechi? | Vincenzo Bellini, Felice Romani, Franco Vassallo, Marina Rebeka, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | D♭ Major | 4 | 3B | 65 BPM | |
 | Verdi: La traviata, Act 1: "Si ridesta in ciel l'aurora" (Flora, Gastone, Baron, Doctor, Marquis, Chorus) | Giuseppe Verdi, Ede Marietti Gandolfo, Alberto Albertini, Coro Cetra, Gabriele Santini, Mariano Caruso, Mario Zorgniotti, Orchestra Sinfonica della RAI | A♭ Major | 4 | 4B | 78 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.17301607131958
End: 1.1785860061645508