Kurt Weill, tenThing's 'Suite from Die Dreigroschenoper (The Three Penny Opera): 1. Overture' came out on April 16, 2011. With Suite from Die Dreigroschenoper (The Three Penny Opera): 1. Overture being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 10, so we believe that "Suite from Die Dreigroschenoper (The Three Penny Opera): 1. Overture" is a single. In terms of popularity, Suite from Die Dreigroschenoper (The Three Penny Opera): 1. Overture is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Suite from Die Dreigroschenoper (The Three Penny Opera): 1. Overture by Kurt Weill, tenThing is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gulda: Concerto for Cello, Wind Orchestra and Band, Op. 129: V. Finale alla marcia | Friedrich Gulda, Edgar Moreau, Raphaël Merlin, Les Forces Majeures | F Major | 6 | 7B | 152 BPM | ||
Otto e mezzo - Suite: 1. Titoli | Nino Rota, Filarmonica della Scala, Riccardo Chailly | E Major | 2 | 12B | 138 BPM | ||
Oedipus, Z. 583: Music For A While | Henry Purcell, Kathleen Battle, James Levine | C Major | 0 | 8B | 127 BPM | ||
Bizet: Carmen, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès) | Georges Bizet, Maria Callas, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris | C Major | 2 | 8B | 138 BPM | ||
Otto e mezzo | Orchestre de la Suisse Romande | G Major | 1 | 9B | 75 BPM | ||
Die lustige Witwe / Act 2: Vilja-Lied | Franz Lehár, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 1 | 9B | 97 BPM | ||
Das Eifersuchtsduett (2.Akt) (Erste Wolken am Himm | Bertolt Brecht, Kurt Weill | C Major | 3 | 8B | 120 BPM | ||
L'Heure exquise | Reynaldo Hahn, Susan Graham | D♭ Major | 0 | 3B | 79 BPM | ||
Nabucco / Act 3: "Va, pensiero, sull'ali dorate" | Giuseppe Verdi, Chor der Staatsoper Dresden, Staatskapelle Dresden, Silvio Varviso | D♭ Major | 1 | 3B | 77 BPM | ||
Selve amiche | Antonio Caldara, Cecilia Bartoli, György Fischer | A Minor | 0 | 8A | 136 BPM |
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