"Cantata pastorale per la Natività: VII. Tocco la prima sorte a voi pastori (Aria)" by Alessandro Scarlatti, Dorothee Oberlinger, Dorothee Mields was released on November 4, 2022. The duration of Cantata pastorale per la Natività: VII. Tocco la prima sorte a voi pastori (Aria) is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Cantata pastorale per la Natività: VII. Tocco la prima sorte a voi pastori (Aria)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 38 in the song's album "Pastorale". In this album, this song's track order is #20. Furthermore, we believe that the track originated from Germany. Based on our statistics, Cantata pastorale per la Natività: VII. Tocco la prima sorte a voi pastori (Aria)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cantata pastorale per la Natività: VII. Tocco la prima sorte a voi pastori (Aria) by Alessandro Scarlatti, Dorothee Oberlinger, Dorothee Mields having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Son tutta duolo | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | G Minor | 0 | 6A | 92 BPM | ||
Prima d’esservi infedele, H. 578: Recitativo. Esempio di costanza | Alessandro Scarlatti, Valeria La Grotta, Quartetto Vanvitelli | D♭ Major | 3 | 3B | 95 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
Pergolesi: Stabat Mater: III. O quam tristis et afflicta | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 1 | 11A | 111 BPM | ||
Abdelazer: Air | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 1 | 11A | 114 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Flute Concerto in A Minor, QV 5:238: I. Allegretto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 2 | 6A | 143 BPM | ||
Concerto Op. 3 No. 5 in A Major for 2 violins: III. Allegro | Antonio Vivaldi, Tafelmusik Baroque Orchestra, Jeanne Lamon | A♭ Major | 3 | 4B | 154 BPM | ||
Symphony in C Major, Op. 1, No. 6, (Callen 6): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 143 BPM | ||
Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM |
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