"Deutsche Messe, D. 872: VII. Zum Agnus Dei. Mässig" by Franz Schubert, Sebastian Noack, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz was released on December 1, 1996. With this song being about 5 minutes long, at 4:35, "Deutsche Messe, D. 872: VII. Zum Agnus Dei. Mässig" by Franz Schubert, Sebastian Noack, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 12 out of 20 in Franz Schubert: Messe in G. Musica sacra by Franz Schubert, Orpheus Orchester Wien, Vienna Chamber Choir, Johannes Prinz. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Deutsche Messe, D. 872: VII. Zum Agnus Dei. Mässig's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Deutsche Messe, D. 872: VII. Zum Agnus Dei. Mässig by Franz Schubert, Sebastian Noack, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ich ruf zu dir, Herr Jesu Christ, No. 5, BWV 639 | Johann Sebastian Bach, Murray Perahia | G Minor | 3 | 6A | 122 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
Capriccio in B Minor, Op. 76, No. 2 | Johannes Brahms, Arcadi Volodos | B Major | 1 | 1B | 84 BPM | ||
A Slinky Foxtrot "Nocturne" | Robert Constable, Piers Lane | D Minor | 0 | 7A | 92 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Melody from « Orfeo » | Christoph Willibald Gluck, Roberto Giordano | G Minor | 2 | 6A | 115 BPM | ||
Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | F♯ Major | 0 | 2B | 70 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM |
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