Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger's 'Matthäus-Passion, BWV 244, Pt. 1: No. 1, Chorus. "Kommt, ihr Töchter, helft mir klagen"' came out on October 1, 2019. Since Matthäus-Passion, BWV 244, Pt. 1: No. 1, Chorus. "Kommt, ihr Töchter, helft mir klagen" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 135 in the song's album "Quintessence J.S. Bach: Matthäus Passion, Johannes Passion". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Netherlands. The popularity of Matthäus-Passion, BWV 244, Pt. 1: No. 1, Chorus. "Kommt, ihr Töchter, helft mir klagen" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Matthäus-Passion, BWV 244, Pt. 1: No. 1, Chorus. "Kommt, ihr Töchter, helft mir klagen" by Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger having a BPM of 178 with a half-time of 89 BPM and a double-time of 356 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vom Himmel hoch, ihr Engel kommt | Kammerchor der Humboldt-Universität zu Berlin | A♭ Major | 1 | 4B | 117 BPM | ||
Music for The Royal Fireworks, HWV351: Overture | George Frideric Handel, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | F♯ Major | 1 | 2B | 115 BPM | ||
O du fröhliche | Peter Alexander, Tölzer Knabenchor, Tölzer Kinderchor | E♭ Major | 4 | 5B | 85 BPM | ||
Concerto grosso in G Minor, Op. 6, No. 8, "Fatto per la Notte di Natale": IV. Pastorale: Largo | Arcangelo Corelli, The English Concert, Trevor Pinnock | F♯ Major | 1 | 2B | 138 BPM | ||
Northern Lights | Alexis Ffrench | E♭ Minor | 1 | 2A | 78 BPM | ||
Schlaf wohl du Himmelsknabe | Berliner Mozartchor, Erich Steffen | F Major | 1 | 7B | 75 BPM | ||
In natali Domini (a 4) | Michael Praetorius, Viva-Voce | F Major | 1 | 7B | 113 BPM | ||
Bach, JS: Mass in B Minor, BWV 232: Christe eleison | Johann Sebastian Bach, Barbara Schlick, Catherine Patriasz, Orchestra of Collegium Vocale, Ghent, Philippe Herreweghe, Orchestra of Collegium Vocale Gent | D♭ Major | 1 | 3B | 126 BPM | ||
Vom Himmel kam der Engel Schar (Choralkantate): Was kann euch tun die Suend und Tod | Friedrich Wilhelm Zachow, Johannes Hoefflin, Instrumentalensemble der ARCHIV Produktion, Gottfried Wolters | F Major | 1 | 7B | 75 BPM | ||
Pastoral Mass in G Major, Op. 24: I. Kyrie | Karl Kempter, Augsburger Domsingknaben, Reinhard Kammler | G Major | 0 | 9B | 91 BPM |
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