"Ludus Tonalis: XXIV. Fuga duodecima in Fis (Molto tranquillo)" by Paul Hindemith, Alena Cherny was released on December 6, 2019. The duration of Ludus Tonalis: XXIV. Fuga duodecima in Fis (Molto tranquillo) is about 3 minutes long, at 3:25. Based on our data, "Ludus Tonalis: XXIV. Fuga duodecima in Fis (Molto tranquillo)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Paul Hindemith, Alena Cherny's "Hindemith: Ludus Tonalis" album is number 24 out of 25. On top of that, Switzerland appears to be the country where this track was created. Ludus Tonalis: XXIV. Fuga duodecima in Fis (Molto tranquillo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ludus Tonalis: XXIV. Fuga duodecima in Fis (Molto tranquillo) by Paul Hindemith, Alena Cherny to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1, "Afro-American": II. Sorrow (Adagio) | William Grant Still, Fort Smith Symphony, John Jeter | F Major | 0 | 7B | 55 BPM | ||
On an Overgrown Path, JW VIII/17, Book 1: No. 3, Come with Us! | Leoš Janáček, Lars Vogt | D Major | 0 | 10B | 131 BPM | ||
Wieniawski / Arr. Kreisler: Caprice in E-Flat Major (Alla saltarella), Op. 10 No. 10 | Henryk Wieniawski, Vilde Frang | E♭ Major | 2 | 5B | 112 BPM | ||
Serenade No. 1 in D Major, Op. 11: IVc. Coda | Johannes Brahms, Gävle Symphony Orchestra, Jaime Martin | B♭ Minor | 0 | 3A | 60 BPM | ||
Concerto for Viola and Orchestra: I. Andante comodo | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | A Minor | 1 | 8A | 102 BPM | ||
Suite for Viola & Orchestra, Group 1: I. Prelude. Allegro moderato | Ralph Vaughan Williams, Timothy Ridout, Jamie Phillips, Orchestre de Chambre de Lausanne | C Major | 1 | 8B | 76 BPM | ||
Violin Concerto: I. Prelude | Maya Badian, Florin Paul, Romanian National Orchestra, Ludovic Bacs | F Minor | 2 | 4A | 152 BPM | ||
Poulenc: Cello Sonata, FP 143: II. Cavatine | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | F♯ Major | 0 | 2B | 77 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
Piano Concerto No. 20 in D Minor, K. 466: II. Romanza | Wolfgang Amadeus Mozart, Clara Haskil, Orchestre Philharmonique de L'ORTF, Paul Hindemith | B♭ Major | 1 | 6B | 76 BPM |
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