Johann Sebastian Bach, Academy of Ancient Music, Richard Egarr made "Brandenburg Concerto No. 1 in F Major, BWV 1046: I. [Tempo giusto]" available on March 10, 2009. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 18 in Bach: Brandenburg Concertos by Johann Sebastian Bach, Various Artists, Gustav Leonhardt, Nikolaus Harnoncourt, Concentus Musicus Wien, Leonhardt-Consort, Johann Sebastian Bach, Academy of Ancient Music, Richard Egarr. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Brandenburg Concerto No. 1 in F Major, BWV 1046: I. [Tempo giusto] is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Brandenburg Concerto No. 1 in F Major, BWV 1046: I. [Tempo giusto] by Johann Sebastian Bach, Academy of Ancient Music, Richard Egarr is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in E Major, D. 50: I. Allegro | Giuseppe Tartini, Ariadne Daskalakis, Cologne Chamber Orchestra, Helmut Muller-Bruhl | E Major | 1 | 12B | 78 BPM | ||
Cello Concerto in D Major, G. 478: IV. Rondo comodo assai | Luigi Boccherini, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra | D♭ Major | 1 | 3B | 85 BPM | ||
Symphony No. 3 in C Major, Op. 2, "The Chaplet": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 121 BPM | ||
Concerto Grosso, Op. 6, No. 01 in G Major (HWV 319): A tempo giusto | George Frideric Handel, Academy of Ancient Music, Andrew Manze | F♯ Major | 0 | 2B | 87 BPM | ||
Matthäus-Passion, BWV 244, Pt. 1: No. 3, Chorale. "Herzliebster Jesu, was hast du verbrochen" (Chorus) | Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger | B Minor | 2 | 10A | 117 BPM | ||
Flute Concerto In G Minor, Op.10, No.2, RV439 - "La notte": 3. Largo | Antonio Vivaldi, Philip Pickett, New London Consort | E Major | 0 | 12B | 123 BPM | ||
Concerto Grosso In F Minor, Op. 1, No. 8: I. Largo - Grave - Vivace - Grave | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Minor | 1 | 8A | 117 BPM | ||
Guitar Quintet No. 7 in E Minor, G. 451: I. Allegro moderato | Luigi Boccherini, José Miguel Moreno, La Real Cámara | E♭ Minor | 1 | 2A | 118 BPM | ||
Symphony in D Major, Op. 3, No. 2: II. Andantino | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 0 | 9B | 113 BPM | ||
Adagio & Fugue | Wilhelm Friedemann Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 114 BPM |
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