Benedetto Marcello, Gaetano Nasillo, Sara Bennici, Anna Fontana made "Sonata VI in G Major, Op. 1 No. 6: I. Adagio" available on August 16, 2019. The duration of Sonata VI in G Major, Op. 1 No. 6: I. Adagio is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Sonata VI in G Major, Op. 1 No. 6: I. Adagio's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Venetian Cello Sonatas. Under the Shade of Vivaldi by Gaetano Nasillo, Anna Fontana, Sara Bennici, Evangelina Mascardi. The song's track number on the album is #5 out of 30 tracks. Based on our data, France was the country where this track was produced or recorded. In terms of popularity, Sonata VI in G Major, Op. 1 No. 6: I. Adagio is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Sonata VI in G Major, Op. 1 No. 6: I. Adagio by Benedetto Marcello, Gaetano Nasillo, Sara Bennici, Anna Fontana has a tempo of 107 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Sonata VI in G Major, Op. 1 No. 6: I. Adagio being at 107 BPM, the half-time would be 54 BPM with a double-time of 214 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Oboe Concerto in B-Flat Major, Wq. 164, H. 466: I. Allegretto | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | B♭ Major | 1 | 6B | 131 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
A voi prati felici, SelM A4: II. Voi fiori che siete (Aria) | Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu, Núria Rial | E♭ Minor | 2 | 2A | 77 BPM | ||
Concerto in D Minor, Op. 6 No. 3: I. Largo andante | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 119 BPM | ||
Il giardino di rose: "Mentre io godo" | Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | B Minor | 0 | 10A | 111 BPM | ||
Vivaldi: Concerto for Two Mandolins in G Major, RV 532: II. Andante | Antonio Vivaldi, Europa Galante, Fabio Biondi, Giovanni Scaramuzzino, Sonia Maurer | B Minor | 0 | 10A | 132 BPM | ||
Mystery (Rosary) Sonata No. 1, "The Annunciation": I. Praeludium | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | D♭ Minor | 1 | 12A | 134 BPM | ||
Symphony in F Major, J-C 36: III. Allegro assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 3 | 12B | 126 BPM |
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