Rinaldo / Act 2: Recitativo: A quei sassa bramato - George Frideric Handel, David Daniels, Bernarda Fink, Daniel Taylor, Academy of Ancient Music, Christopher Hogwood Information

Acousticness: 98%
Danceability: 55%
Energy: 3%
Instrumentalness: 0%
Liveness: 34%
Loudness: 54%
Speechiness: 19%
Valence: 34%
Popularity: 9%
Loudness: -27.339 dB

Summary

George Frideric Handel, David Daniels, Bernarda Fink, Daniel Taylor, Academy of Ancient Music, Christopher Hogwood's 'Rinaldo / Act 2: Recitativo: A quei sassa bramato' came out on October 16, 2000. With Rinaldo / Act 2: Recitativo: A quei sassa bramato being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in George Frideric Handel, Cecilia Bartoli, David Daniels, Academy of Ancient Music, Christopher Hogwood's "Handel: Rinaldo (Original 1711 Version)" album is number 2 out of 82. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Rinaldo / Act 2: Recitativo: A quei sassa bramato is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Rinaldo / Act 2: Recitativo: A quei sassa bramato BPM

We consider the tempo marking of Rinaldo / Act 2: Recitativo: A quei sassa bramato by George Frideric Handel, David Daniels, Bernarda Fink, Daniel Taylor, Academy of Ancient Music, Christopher Hogwood to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.

Rinaldo / Act 2: Recitativo: A quei sassa bramato Key

This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico	Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest	G Major	3	9B	97 BPM
Purcell : King Arthur : Overture to Act 1	William Christie	C Minor	2	5A	140 BPM
Sinfonia in E major, RV 132: II. Andante	Karoly Botvay	A Major	0	11B	79 BPM
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major	Clara Schumann, Jozef De Beenhouwer	B♭ Major	0	6B	100 BPM
String Quintet No. 6 in E Major, Op. 11, No. 5: String Quintet no.6 in E major, op.11 no.5: III. Minuetto - Trio	Luigi Boccherini, Cuarteto Casals, Eckart Runge	A Major	0	11B	126 BPM
King Arthur, Z. 628, "The British Worthy": Air	Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett	D♭ Minor	0	12A	114 BPM
Concerto for 2 Oboes in F Major, Op. 9, No. 3: I. Allegro	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	F Major	3	7B	104 BPM
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo	Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana	D♭ Major	1	3B	118 BPM
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro	Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit	G Major	3	9B	150 BPM
Trio Sonata No. 1 in A Minor: II. Fuga	William Boyce, Simon Standage, Collegium Musicum 90	A♭ Minor	1	1A	81 BPM

ISRC: GBBBB2000031
Label: L-M Records/RCA Records

Section: 0.6824023723602295

End: 0.6868493556976318