"Luakini" by The Rose Ensemble, Jordan Sramek was released on June 1, 2014. The duration of Luakini is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Luakini's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Nā Mele Hawai'i: A Rediscovery of Hawaiian Vocal Music". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. In terms of popularity, Luakini is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Luakini by The Rose Ensemble, Jordan Sramek having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rinaldo, HWV 7: Lascia ch´io pianga (Let me Lament) | George Frideric Handel, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo Genda | D Major | 1 | 10B | 105 BPM | ||
Requiem in D Minor, K. 626: I. Introit and Kyrie | Wolfgang Amadeus Mozart, Academy Chamber Choir, Wiener Symphoniker, Jascha Horenstein, Wilma Lipp, Murray Dickie, Elisabeth Hoengen, Ludwig Weber | G Major | 5 | 9B | 201 BPM | ||
The Bell Song - From “Florence Foster Jenkins” Soundtrack | Aida Garifullina, London Metropolitan Orchestra, Terry Davies | B♭ Major | 2 | 6B | 81 BPM | ||
Les Contes d'Hoffmann / Act 2: Belle nuit, ô nuit d'amour | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Plácido Domingo, Andre Neury, Pro Arte Choir, Lausanne, Choeur Du Brassus, Choeur de la Radio Suisse Romande, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 77 BPM | ||
Cantique de Jean Racine, Op. 11 | Gabriel Fauré, Yan Pascal Tortelier, BBC Philharmonic, City of Birmingham Symphony Chorus | D♭ Major | 0 | 3B | 70 BPM | ||
King Arthur, Z. 628: Act III "What power art thou" | Henry Purcell, Pieter Hendriks, BarokOpera Amsterdam, Frederique Chauvet | A Major | 1 | 11B | 91 BPM | ||
Salut d’Amour | Jeremy Young | E Major | 0 | 12B | 63 BPM | ||
Nina, o sia la Pazza per Amore: Il mio ben quando verrà | Giovanni Paisiello, Cecilia Bartoli, György Fischer | F Major | 0 | 7B | 69 BPM | ||
Chichester Psalms: Psalm 23 | Leonard Bernstein, Malakai Bayoh, London Symphony Chorus, London Symphony Orchestra, Yannick Nézet-Séguin | F Major | 2 | 7B | 77 BPM | ||
Laudent Deum | Victor Zupanc, The Rose Ensemble, Kathy Lee, Kristine Kautzman, Aaron Sheehan, Jordan Sramek | D♭ Major | 1 | 3B | 128 BPM |
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