"Trio pour piano, violon, et violoncelle in B Minor, Op. 10: I. Allegro appassionato" by Joseph Jongen, Ensemble Joseph Jongen, Eliot Lawson, Mark Drobinsky, Diane Andersen was released on 2006. Trio pour piano, violon, et violoncelle in B Minor, Op. 10: I. Allegro appassionato appears to be safe for all ages as it is not explicit. The track order of this song in Joseph Jongen, Ensemble Joseph Jongen, Eliot Lawson, Mark Drobinsky, Diane Andersen's "Jongen: Trio Op. 10, Aquarelles Op. 59 & Deux pièces en trio Op. 95" album is number 1 out of 7. On top of that, Belgium appears to be the country where this track was created. Trio pour piano, violon, et violoncelle in B Minor, Op. 10: I. Allegro appassionato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Trio pour piano, violon, et violoncelle in B Minor, Op. 10: I. Allegro appassionato by Joseph Jongen, Ensemble Joseph Jongen, Eliot Lawson, Mark Drobinsky, Diane Andersen to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
els ulls - Arr. Aitor Llimerá | Matilde Salvador, Aitor Llimerá, Mario Mora | F Major | 1 | 7B | 66 BPM | ||
The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
Here's One (Arr. Kaufman for Violin and Piano) | William Grant Still, Randall Goosby, Zhu Wang | D♭ Minor | 1 | 12A | 84 BPM | ||
Deep River (Arr. J. Lenehan for Clarinet & Piano) | Traditional, Helen Habershon, John Lenehan | E♭ Major | 0 | 5B | 63 BPM | ||
Renaissance Concerto: IV. Jouissance | Lukas Foss, Amy Porter, Buffalo Philharmonic Orchestra, Joann Falletta | A Minor | 1 | 8A | 147 BPM | ||
13 Preludes, Op. 69: No. 6, Appassionato | Joseph Jongen, Ivan Ilić | F Major | 0 | 7B | 68 BPM | ||
Tristan und Isolde, WWV 90: VIII, Ankunft an der Burg - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
Arirang (Arr. Hough) | Anonymous, Stephen Hough | F Major | 2 | 7B | 77 BPM | ||
The Lark Ascending: II. Allegretto tranquillo, quasi andante | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | D Major | 1 | 10B | 88 BPM | ||
Dvořák: Symphonic Variations in C Major, Op. 78, B. 70: Variations XV & XVI | Antonín Dvořák, Wolfgang Sawallisch, Philadelphia Orchestra | D Major | 2 | 10B | 108 BPM |
Section: 0.8989207744598389
End: 0.9028334617614746