"A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82: Opening – The girl and three tramps" by Béla Bartók, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop was released on April 1, 2005. The duration of A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82: Opening – The girl and three tramps is about 3 minutes long, at 3:15. Based on our data, "A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82: Opening – The girl and three tramps" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 22 in Bartok: Miraculous Mandarin (The) (Complete Ballet) / Hungarian Pictures / Dance Suite by Béla Bartók. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82: Opening – The girl and three tramps is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82: Opening – The girl and three tramps by Béla Bartók, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fifteen Hungarian Peasant Songs, Sz 71: Fifteen Hungarian Peasant Songs, Sz 71: Four Old Songs, I. Rubato | Béla Bartók, Alain Planes | A Minor | 0 | 8A | 74 BPM | ||
Orfeo ed Euridice: Melody (arr. G. Sgambati) | Giovanni Sgambati, Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 71 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | ||
Le tombeau de Couperin (version for orchestra): No. 1. Prelude | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | G Major | 0 | 9B | 80 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
Gayane Suite No. 3: IV. Gayane's Adagio | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | F Minor | 1 | 4A | 74 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of Abduction | Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 103 BPM | ||
9 Preludes, Op. 1: No. 2 in D Minor. Andante con moto | Karol Szymanowski, Krystian Zimerman | F Major | 1 | 7B | 150 BPM | ||
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM |
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