Giovanni Gabrieli, Ludwig Güttler, Blechbläserensemble Ludwig Güttler made "Canzon à 7" available on January 1, 1984. The duration of Canzon à 7 is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Canzon à 7's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 25 in Bläsermusik zur Weihnacht by Ludwig Güttler, Blechbläserensemble Ludwig Güttler. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Canzon à 7 is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Canzon à 7 by Giovanni Gabrieli, Ludwig Güttler, Blechbläserensemble Ludwig Güttler is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Farnabys Humour | Giles Farnaby, Harmonia Recorder Ensemble | G Major | 0 | 9B | 68 BPM | ||
Gabrieli, G: Sacrae symphoniae, Liber I: No. 31, Canzon noni toni, C. 173 | Giovanni Gabrieli, Michel Corboz, Orquestra Gulbenkian | F Major | 1 | 7B | 82 BPM | ||
Dulcis Jesu patris imago a 20 | Giovanni Gabrieli, Taverner Choir, Taverner Consort, Taverner Players, Andrew Parrott | C Major | 1 | 8B | 71 BPM | ||
All'imperio d'Amore: 3. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | F Major | 2 | 7B | 62 BPM | ||
Gabrieli, G: Sacrae symphoniae, Liber I: No. 56, Regina coeli laetare, C. 49 | Giovanni Gabrieli, Michel Corboz, Ensemble Vocal de Lausanne, Grand Chœur universitaire de Lausanne, Orchestre de Chambre de Lausanne | F Major | 1 | 7B | 82 BPM | ||
Hymnen, Op. 140: Nr. 3 Eripe me | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | D Major | 1 | 10B | 80 BPM | ||
Sicut lilium | Antoine Brumel, Choir of Jesus College, Cambridge, Mark Williams | G Major | 0 | 9B | 82 BPM | ||
Nolo mortem peccatoris | Thomas Morley, Stile Antico | F Minor | 1 | 4A | 79 BPM | ||
Canzona in C Major, FbWV 305, Pt. 3 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Quarto libro de madrigali: Io me son giovinetta, SV 86 | Claudio Monteverdi, Joseph Cornwell, Consort Of Musicke, Anthony Rooley | B♭ Major | 1 | 6B | 85 BPM |
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