"2 Piano Pieces, Op. 99: No. 1, Impromptu for the Left Hand" by Reinhold Glière, Alton Chung Ming Chan was released on September 7, 2018. The duration of 2 Piano Pieces, Op. 99: No. 1, Impromptu for the Left Hand is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. 2 Piano Pieces, Op. 99: No. 1, Impromptu for the Left Hand's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Reinhold Glière, Alton Chung Ming Chan's "Glière: Piano Compositions" album is number 33 out of 33. Based on our statistics, 2 Piano Pieces, Op. 99: No. 1, Impromptu for the Left Hand's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 2 Piano Pieces, Op. 99: No. 1, Impromptu for the Left Hand by Reinhold Glière, Alton Chung Ming Chan to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aria for String Quartet, Op. 9 | Mieczysław Weinberg, NOVO Quartet | G Minor | 0 | 6A | 103 BPM | ||
Violin Concerto No. 2 In E Major, BWV 1042: II. Adagio | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | D♭ Minor | 1 | 12A | 99 BPM | ||
Piano Quintet No. 1 in D Minor, Op. 89: I. Molto moderato | Gabriel Fauré, Cristina Ortiz, Fine Arts Quartet | E Major | 0 | 12B | 82 BPM | ||
Piano Music for Big and Small, Op. 53: No. 6 Poco Lamentoso | The Gerst Ensemble | D♭ Minor | 2 | 12A | 175 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb:1: I. Moderato | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | C Major | 1 | 8B | 138 BPM | ||
Des Knaben Wunderhorn: Rheinlegendchen | Gustav Mahler, Daishin Kashimoto, Emmanuel Pahud, Paul Meyer, Zvi Plesser, Eric Le Sage | D♭ Major | 3 | 3B | 95 BPM | ||
Prokofiev: Violin Concerto No. 2 in G Minor, Op. 63: III. Allegro ben marcato | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | E Minor | 1 | 9A | 154 BPM | ||
Solo de concert | Gabriel Pierné, Marc Trenel, Pascal Godart | F Major | 1 | 7B | 66 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM |
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