"The Snow Maiden / Act 4: "A mi proso, syeyali, syeyali"" by Nikolai Rimsky-Korsakov, Dushan Popovich, Stepan Andrashevich, Sofiya Jankovich, Belgrade National Opera Chorus, Belgrade National Opera Orchestra, Kreshimir Baranovich was released on January 1, 1957. The duration of The Snow Maiden / Act 4: "A mi proso, syeyali, syeyali" is about 3 minutes long, at 3:14. Based on our data, "The Snow Maiden / Act 4: "A mi proso, syeyali, syeyali"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 53 in the song's album "Rimsky-Korsakov: Snow Maiden". In this album, this song's track order is #50. Furthermore, we believe that the track originated from United Kingdom. The Snow Maiden / Act 4: "A mi proso, syeyali, syeyali" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Snow Maiden / Act 4: "A mi proso, syeyali, syeyali" by Nikolai Rimsky-Korsakov, Dushan Popovich, Stepan Andrashevich, Sofiya Jankovich, Belgrade National Opera Chorus, Belgrade National Opera Orchestra, Kreshimir Baranovich having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
St. John's Night on Bald Mountain, "A Night on the Bare Mountain" (arr. N. Rimsky-Korsakov) | Modest Mussorgsky, Nikolai Rimsky-Korsakov, Finnish Radio Symphony Orchestra, Leif Segerstam | A Major | 2 | 11B | 79 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Romeo and Juliet, Op. 64 (Excerpts): Dance of the Knights | Sergei Prokofiev, Esa-Pekka Salonen | C Major | 1 | 8B | 97 BPM | ||
Peer Gynt, Op. 23: Act II, 7, In the Hall of the Mountain King | Edvard Grieg, Esa-Pekka Salonen | B Minor | 2 | 10A | 104 BPM | ||
Pictures At An Exhibition: Promenade I | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | F Major | 1 | 7B | 79 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | F♯ Major | 3 | 2B | 125 BPM | ||
Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM |
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