"Hear, O Lord" by John Amner, Charles Jenkins, David Price, Ely Cathedral Choir, Edward Taylor, Paul Trepte was released on April 1, 1995. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in John Amner, Ely Cathedral Choir, Paul Trepte's "John Amner: Cathedral Music" album is number 10 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Hear, O Lord is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hear, O Lord by John Amner, Charles Jenkins, David Price, Ely Cathedral Choir, Edward Taylor, Paul Trepte to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ingrediente Domino | George Malcolm, Matthew Martin, Choir of King's College, Cambridge, Daniel Hyde | D Minor | 1 | 7A | 67 BPM | ||
Motett, "Stilla komme och välkomna vare dagens slut och lön!" | Sara Wennerberg-Reuter, St. Pauli Vokalensemble | F Minor | 3 | 4A | 91 BPM | ||
Wash me throughly | Samuel Sebastian Wesley, Emilia Hughes, James McVinnie, Choir of Clare College, Cambridge, Christopher Robinson | G Minor | 1 | 6A | 138 BPM | ||
Ah Robin | William Cornysh, Max Thomas, Benjamin Seward, Luke Rowe, Henry Isaacs, Leo Dolan, Myron Buist, Mark Williams | C Minor | 1 | 5A | 93 BPM | ||
Ave Regina caelorum | Kenneth Tay, University of Glasgow Chapel Choir, Katy Lavinia Cooper | A Major | 1 | 11B | 80 BPM | ||
Evensong: Introit: O Praise The Lord | Choir of King's College, Cambridge | F Minor | 1 | 4A | 89 BPM | ||
A stranger here | John Amner, Mark Keane, Fretwork, Dublin Consort Singers | D Minor | 1 | 7A | 84 BPM | ||
Stanford: Magnificat In A | Manchester Cathedral Choir, Jeffrey Makinson | A Major | 1 | 11B | 48 BPM | ||
All-Night Vigil, Op. 37: IV. Gladsome Light | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Toby Vaughn Kidd | C Minor | 0 | 5A | 78 BPM | ||
Magnificat in F Major (1) | George Dyson, Hereford Cathedral Choir, Huw Williams, Roy Massey | G Major | 2 | 9B | 169 BPM |
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