William Byrd, The Choir Of Trinity College, Cambridge's 'Rejoice, rejoice, with heart and voice' had a release date set for October 5, 1995. With This song being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 56 in Carols From Trinity by The Choir Of Trinity College, Cambridge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Rejoice, rejoice, with heart and voice's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rejoice, rejoice, with heart and voice by William Byrd, The Choir Of Trinity College, Cambridge is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alma redemptoris mater | Giovanni Pierluigi da Palestrina, The King's Singers | C Major | 1 | 8B | 75 BPM | ||
Madrigali: No. 3. Amor, lo sento l'alma | Morten Lauridsen, Chamber Choir Of Europe, Nicol Matt | C Major | 1 | 8B | 69 BPM | ||
Glory To God In The Highest - Live | George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra | D Major | 1 | 10B | 104 BPM | ||
Magnificat | Arvo Pärt, Voces8 | F Minor | 0 | 4A | 129 BPM | ||
Lo how a rose e'er blooming (Es ist ein Ros' entsprungen): Lo, how a Rose e'er blooming | Michael Praetorius, The Cambridge Singers, John Rutter | F♯ Major | 1 | 2B | 119 BPM | ||
Messiah, HWV 56 / Pt. 1: For, Behold, A Darkness Shall Cover The Earth | George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Ulkrik Cold | B Minor | 1 | 10A | 85 BPM | ||
Messiah, HWV 56 / Pt. 3: "I Know That My Redeemer Liveth" | George Frideric Handel, Elly Ameling, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 78 BPM | ||
Gloria: I. [Allegro vivace] | John Rutter, Choir of King's College, Cambridge, Choir of Gonville & Caius College, Cambridge, Geoffrey Webber, City Of Birmingham Symphony Orchestra, Jacqueline Hartley, Stephen Cleobury | B♭ Major | 1 | 6B | 152 BPM | ||
Hansel and Gretel: Abendsegen | Engelbert Humperdinck, Axel Köhler, Cologne Radio Symphony Orchestra, Helmut Froschauer | D Major | 0 | 10B | 65 BPM | ||
Hymn: Jesu, Redémptor Ómnium | Traditional Song, Seminarians of Saint Peter Wigratzbad | G Minor | 1 | 6A | 74 BPM |