Michael Praetorius, The Cambridge Singers, John Rutter's 'Lo how a rose e'er blooming (Es ist ein Ros' entsprungen): Lo, how a Rose e'er blooming' came out on October 1, 1997. The duration of Lo how a rose e'er blooming (Es ist ein Ros' entsprungen): Lo, how a Rose e'er blooming is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Lo how a rose e'er blooming (Es ist ein Ros' entsprungen): Lo, how a Rose e'er blooming's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 22 in Christmas Star - Carols for The Christmas Season by The Cambridge Singers, John Rutter. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Lo how a rose e'er blooming (Es ist ein Ros' entsprungen): Lo, how a Rose e'er blooming is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lo how a rose e'er blooming (Es ist ein Ros' entsprungen): Lo, how a Rose e'er blooming by Michael Praetorius, The Cambridge Singers, John Rutter is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
While Shepherds Watched | Stephen Cleobury, David Goode, Choir of King's College, Cambridge, Tricia Clark, Henry Mitton | F Major | 2 | 7B | 80 BPM | ||
There is No Rose | Simon Preston, Choir of St. John's College, Cambridge, Andrew Nethsingha, George Herbert | D Major | 0 | 10B | 114 BPM | ||
Now Sleeps The Crimson Petal (Four Madrigals On Rose Texts): A Spotless Rose | Paul Mealor, Tenebrae, Nigel Short | B Major | 0 | 1B | 175 BPM | ||
White Christmas | Celtic Woman | G Major | 1 | 9B | 76 BPM | ||
Hark! The Herald Angels Sing | Felix Mendelssohn, St. Paul's Cathedral Choir, Simon Johnson, Andrew Carwood | G Major | 2 | 9B | 138 BPM | ||
Holst: In the Bleak Midwinter (2008 Version) | Gustav Holst, Choir of King's College, Cambridge, Stephen Cleobury | F Major | 0 | 7B | 79 BPM | ||
Hark the Herald Angels Sing | Felix Mendelssohn, William H. Cummings, The Priests | G Major | 3 | 9B | 99 BPM | ||
Jesus, Jesus, Rest Your Head | Worcester Cathedral Choir, Robert Stringer, Raymond Johnston, Traditional | F Major | 0 | 7B | 83 BPM | ||
O Little Town of Bethlehem | The Tabernacle Choir at Temple Square | D♭ Major | 1 | 3B | 77 BPM | ||
O taste and see | Ralph Vaughan Williams, Mary Seers, The Cambridge Singers, John Rutter | F♯ Major | 0 | 2B | 85 BPM |
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