Michel Richard Delalande, Jean-Paul Fouchécourt, Les Arts Florissants, William Christie's 'Te Deum, S. 32: II. Te Deum laudamus' came out on March 18, 1991. With Te Deum, S. 32: II. Te Deum laudamus being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 32 in De Lalande: Grands Motets by Michel Richard Delalande, Les Arts Florissants, William Christie. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Te Deum, S. 32: II. Te Deum laudamus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Te Deum, S. 32: II. Te Deum laudamus by Michel Richard Delalande, Jean-Paul Fouchécourt, Les Arts Florissants, William Christie is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum "de Lyon": XI. Te ergo quæsumus famulis tuis subveni | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM | ||
Te Deum "de Lyon": III. Te gloriosus apostolorum chorus | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Eugénie Lefebvre | B♭ Major | 4 | 6B | 106 BPM | ||
Tirannide vezzosa | Cataldo Amodei, Cappella Mediterranea, Leonardo García-Alarcón, Valerio Contaldo | B♭ Minor | 0 | 3A | 110 BPM | ||
Suite in C Minor: II. Andamento | Nicola Matteis, Le Consort | B Major | 0 | 1B | 84 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: V. Sanctus, 1. Sanctus, Dominus Deus | Niccolò Jommelli, Gudrun Sidonie Otto, Il Gardellino, Helen Charlston, Daniel Johannsen, Peter Van Heyghen | B♭ Minor | 2 | 3A | 77 BPM | ||
Stabat Mater in F Minor, P. 77: IV. Quae moerebat et dolebat | Giovanni Battista Pergolesi, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset | C Minor | 1 | 5A | 58 BPM | ||
Les Éléments, S.153, Acte III "Le Feu", Air: Brillez dans ces beaux lieux... (Émilie) | Andre Cardinal Destouches, Michel Richard Delalande, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Elodie Fonnard | B Minor | 2 | 10A | 77 BPM | ||
Les fontaines de Versailles, S. 133, Scene 6: Heureux séjour | Michel Richard Delalande, Margot Rood, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs | B Major | 1 | 1B | 137 BPM | ||
Missa S. Marcellini: IV. Gloria - Live at Melk Abbey, 6/10/2000 | Johann Beer, Franz Raml | E♭ Major | 2 | 5B | 96 BPM | ||
Concerto for Strings in G Minor, RV 157: II. Largo | Antonio Vivaldi, Miho Fukui, Ensemble F | F♯ Minor | 6 | 11A | 157 BPM |
Section: 0.5989212989807129
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