Jean-Baptiste Lully, Philippe Estèphe, Bénédicte Tauran, Les Talens Lyriques, Christophe Rousset's 'Thésée, LWV 51, Acte premier Scène 7: "Les mutins sont vaincus" (Égée, la Grande Prêtresse, Églé, Cléone)' came out on October 13, 2023. With Thésée, LWV 51, Acte premier Scène 7: "Les mutins sont vaincus" (Égée, la Grande Prêtresse, Églé, Cléone) being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jean-Baptiste Lully, Les Talens Lyriques, Christophe Rousset's "Lully: Thésée" album is number 27 out of 84. On top of that, France appears to be the country where this track was created. The popularity of Thésée, LWV 51, Acte premier Scène 7: "Les mutins sont vaincus" (Égée, la Grande Prêtresse, Églé, Cléone) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Thésée, LWV 51, Acte premier Scène 7: "Les mutins sont vaincus" (Égée, la Grande Prêtresse, Églé, Cléone) by Jean-Baptiste Lully, Philippe Estèphe, Bénédicte Tauran, Les Talens Lyriques, Christophe Rousset to be Vivace (lively and fast) because the track has a tempo of 174 BPM, a half-time of 87BPM, and a double-time of 348 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 4 Harpsichords In A Minor, BWV 1065: II. Largo | Cologne Chamber Orchestra, Roderick Shaw, Christoph Anselm Noll, Robert Hill, Gerald Hambitzer, Johann Sebastian Bach | G Major | 2 | 9B | 81 BPM | ||
Le bourgeois gentilhomme, LWV 43, Act II Scene 5: Deuxième Air des Garçons Tailleurs | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Zachary Wilder, Thibault de Damas, Nicholas Scott | B♭ Major | 5 | 6B | 103 BPM | ||
Concerto for Lute, 2 Violins and Continuo in D major, RV 93: 3. Allegro | Antonio Vivaldi, Tom Finucane, New London Consort, Philip Pickett | D♭ Major | 1 | 3B | 117 BPM | ||
Concerto No. 4 in G major, BWV 1049: II. Andante | Johann Sebastian Bach, Freiburger Barockorchester | D Minor | 0 | 7A | 135 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Violin Concerto in B-Flat Major, Op. 10 No. 1: I. Allegro | Jean-Marie Leclair, Leila Schayegh, La Cetra Barockorchester Basel | A Major | 1 | 11B | 99 BPM | ||
Sonata in E Major, K. 380 | Domenico Scarlatti, Khatia Buniatishvili | B Major | 0 | 1B | 84 BPM | ||
Concerto in E Minor: II. Vivace | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 3 | 2A | 117 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Concerto Saint Marc: III. Andante | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | G Minor | 0 | 6A | 60 BPM |
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