"Versa est in luctum" by Alonso Lobo, Gabrieli, Paul McCreesh was released on January 1, 1998. With this song being about 5 minutes long, at 4:54, "Versa est in luctum" by Alonso Lobo, Gabrieli, Paul McCreesh is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Cristobal de Morales, Gabrieli, Paul McCreesh's "Morales: Requiem - Music for Philip II" album is number 19 out of 19. Versa est in luctum is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Versa est in luctum by Alonso Lobo, Gabrieli, Paul McCreesh to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass in E-Flat Major (Cantus missae), Op.109: IV. Sanctus | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 71 BPM | ||
Taverner: Missa Corona spinea - 08. Hosanna 2 | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 2 | 5B | 80 BPM | ||
Holy God (Sviatyï Boje) | Georgy Sviridov, Les Métaboles, Léo Warynski | E♭ Minor | 0 | 2A | 66 BPM | ||
Historia der Auferstehung Jesu Christi, SWV 50: I. Introitus. Die Auferstehung unsers Herren Jesu Christi | Heinrich Schütz, Margret Baumgartl, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 1 | 3B | 169 BPM | ||
Svete tikhii (Gentle light) | Victor Kalinnikov, St.Petersburg Chamber Choir, Nikolai Korniev | F Major | 1 | 7B | 74 BPM | ||
Nihil tibi | Francesco Soriano, Pro Musica, Szabó Dénes | E Major | 0 | 12B | 96 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
When David heard | Thomas Tomkins, Choir of Clare College, Cambridge, Graham Ross | C Major | 1 | 8B | 129 BPM | ||
He carried me away in the spirit | James Whitbourn, Commotio, Matthew Berry | D♭ Minor | 0 | 12A | 73 BPM | ||
D'un autre amer: D'ung aultre amer | Johannes Ockeghem, Capilla Flamenca | D Minor | 1 | 7A | 86 BPM |
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