"Beethoven: Mass in C Major, Op. 86: IV. (b) Benedictus (Allegretto ma non troppo) - Osanna in excelsis (Allegro)" by Ludwig van Beethoven, Sir Thomas Beecham, Royal Philharmonic Orchestra was released on April 4, 2005. Since Beethoven: Mass in C Major, Op. 86: IV. (b) Benedictus (Allegretto ma non troppo) - Osanna in excelsis (Allegro) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 20 in Beethoven: Symphony Nos. 2 & 7; Mass in C, etc by Sir Thomas Beecham. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Beethoven: Mass in C Major, Op. 86: IV. (b) Benedictus (Allegretto ma non troppo) - Osanna in excelsis (Allegro) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Beethoven: Mass in C Major, Op. 86: IV. (b) Benedictus (Allegretto ma non troppo) - Osanna in excelsis (Allegro) by Ludwig van Beethoven, Sir Thomas Beecham, Royal Philharmonic Orchestra is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 1, Der Engel | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
Missa solemnis in D major, Op. 123: II. Gloria: in excelsis Deo. Allegro vivace Gloria | Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations | D Major | 2 | 10B | 78 BPM | ||
Lieder ohne Worte VIII, Op. 102: V. Allegro vivace, MWV U194 "The Joyous Peasant" | Felix Mendelssohn, Howard Shelley | A Major | 1 | 11B | 138 BPM | ||
String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": III. Scherzo. Allegro molto (Scored for String Orchestra) | Franz Schubert, Charles Rosekrans, Royal Philharmonic Orchestra | F Major | 2 | 7B | 73 BPM | ||
Rondeau brillante in B Minor Op. 70, D. 895: I. Andante - II. Allegro (Arr. for Violin and Strings Ensemble by Paul Suits) [Excerpt] | Franz Schubert, Sebastian Bohren, Munich Chamber Orchestra, Sergej Bolkhovets | B Major | 2 | 1B | 117 BPM | ||
Sextet in E-Flat Major, Op. 81b: III. Rondo | Ludwig van Beethoven, János Keveházi, Jeno Kevehazi, Ildiko Hegyi, Peter Popa, Gyözö Máthé, Péter Szabó | E♭ Major | 1 | 5B | 134 BPM | ||
The Demon God - from 'Princess Mononoke' | Joe Hisaishi, Royal Philharmonic Orchestra | C Major | 3 | 8B | 136 BPM | ||
Haydn: The Seven Last Words of Christ, Hob. XX:1: Sonata IV. "Deus meus, ut quid dereliquisti me?" | Joseph Haydn, Sir Neville Marriner, Academy of St. Martin in the Fields | G Minor | 3 | 6A | 115 BPM | ||
The Planets, Op. 32: II. Venus, The Bringer Of Peace | Gustav Holst, James Judd, Royal Philharmonic Orchestra | B♭ Minor | 0 | 3A | 65 BPM | ||
String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, Dudok Quartet Amsterdam | B♭ Major | 0 | 6B | 118 BPM |
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