Astor Piazzolla, Juan María Solare's 'Oblivion' came out on May 17, 2019. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since Oblivion only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Oblivion's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Oblivion by Astor Piazzolla, Juan María Solare having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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6 Chorale Preludes, BV B 50: Herzlich tut mich verlangen, Op. 122/10 | Johannes Brahms, Ferruccio Busoni, Igor Levit | A Minor | 0 | 8A | 84 BPM | ||
Mazurka | Władysław Szpilman | F Minor | 0 | 4A | 70 BPM | ||
Adagio in G Minor (Attrib. Albinoni) [Arr. for Chamber Orchestra] | Remo Giazotto, Jean-Claude Malgoire, La Grande Écurie et la Chambre du Roy | C Minor | 1 | 5A | 82 BPM | ||
Cancion de cuna | Leo Brouwer, Vicente Coves | G Major | 0 | 9B | 67 BPM | ||
Stagecoach | Eugen Doga, Russian State Symphonic Orchestra of Cinematography, Sergey Skripka | F Minor | 2 | 4A | 108 BPM | ||
Vals 3 | Mario Viñuela | A Minor | 0 | 8A | 112 BPM | ||
Granada | Isaac Albéniz, David Russell | E Major | 1 | 12B | 111 BPM | ||
Illuminati | Carol Comune | D♭ Major | 1 | 3B | 73 BPM | ||
Waltz For The Long Goodbye | Frank de Lange, DeLange | F Minor | 0 | 4A | 74 BPM | ||
Adieu Nocturne No. 1 in A Minor -Adieu- | Carlos Marquez | A Minor | 1 | 8A | 99 BPM |
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