"L'Histoire de Babar: 4. Au bout de quelques jours" by Francis Poulenc, Jean-Marc Luisada, Jeanne Moreau was released on 1994. The duration of L'Histoire de Babar: 4. Au bout de quelques jours is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. L'Histoire de Babar: 4. Au bout de quelques jours's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 11 in Conte pour enfants - Poulenc: L’histoire de Babar, le petit éléphant by Francis Poulenc, Jean-Marc Luisada, Jeanne Moreau. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, L'Histoire de Babar: 4. Au bout de quelques jours is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of L'Histoire de Babar: 4. Au bout de quelques jours by Francis Poulenc, Jean-Marc Luisada, Jeanne Moreau is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
7 Chansons, FP 81: No. 6. Marie (Marie) | Francis Poulenc, Elora Festival Singers, Noel Edison | F Major | 1 | 7B | 77 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
Chaconne in sol maggiore : Variazione 10 | Lazar Berman | G Minor | 0 | 6A | 71 BPM | ||
Piano Concerto No. 1 in G Minor, Op. 25, MWV O7: 1. Molto allegro con fuoco | Felix Mendelssohn, Jan Lisiecki, Orpheus Chamber Orchestra | A♭ Major | 2 | 4B | 80 BPM | ||
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
10 Preludes, Op. 23: No. 10 in G-Flat Major (Largo) | Sergei Rachmaninoff, Vladimir Ashkenazy | E Major | 0 | 12B | 89 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Suite française d'après Claude Gervaise, FP 80b: II. Pavane | Francis Poulenc | F Major | 0 | 7B | 78 BPM |
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