Francis Poulenc's 'Suite française d'après Claude Gervaise, FP 80b: II. Pavane' came out on 1951. The duration of Suite française d'après Claude Gervaise, FP 80b: II. Pavane is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Suite française d'après Claude Gervaise, FP 80b: II. Pavane's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Francis Poulenc's "Meet the Composer - Francis Poulenc Playing His Own Works" album is number 6 out of 23. On top of that, United States appears to be the country where this track was created. Suite française d'après Claude Gervaise, FP 80b: II. Pavane is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Suite française d'après Claude Gervaise, FP 80b: II. Pavane by Francis Poulenc to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces, Op. 38: VIII. Kanon - Allegretto con moto | Edvard Grieg, Javier Perianes | E♭ Minor | 0 | 2A | 82 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged by Wilhelm Kempff: Ronde des esprits bienheureux | Christoph Willibald Gluck, Wilhelm Kempff | F Major | 0 | 7B | 73 BPM | ||
Nocturne No. 8 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 64 BPM | ||
25 Preludes dans tous les tons majeurs et mineurs, Op. 31: No. 12 Le temps qui n'est plus: Andante | Charles-Valentin Alkan, Laurent Martin | B♭ Minor | 0 | 3A | 76 BPM | ||
Pictures at an Exhibition: VI. The Tuileries Gardens | Modest Mussorgsky, Sa Chen | E♭ Minor | 0 | 2A | 63 BPM | ||
Sextet, FP 100: Finale: Prestissimo | Francis Poulenc, Philippe Bernold, Olivier Doise, Hervé Joulain, Ronald Van Spaendonck, Alexandre Tharaud, Laurent Lefèvre | C Major | 1 | 8B | 136 BPM | ||
Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | F♯ Major | 0 | 2B | 70 BPM | ||
Petite suite en 15 images: Berceuse aux etoiles (Lullaby under the Stars) | Jacques Ibert, Hae Won Chang | C Major | 0 | 8B | 72 BPM | ||
Four Dirges, Sz. 45, Op. 9a: 1. Adagio | Béla Bartók, Alexei Lubimov | E Major | 0 | 12B | 0 BPM | ||
4 Pieces, Op. 51: 3. Poème ailé | Alexander Scriabin, Evgeny Kissin | B Major | 0 | 1B | 97 BPM |
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