"Piano Sonata in C minor, H.XVI No.20: 2. Andante con moto" by Joseph Haydn, Alfred Brendel was released on January 1, 1986. Since Piano Sonata in C minor, H.XVI No.20: 2. Andante con moto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Joseph Haydn, Alfred Brendel's "Haydn: Piano Sonatas" album is number 2 out of 32. On top of that, Netherlands appears to be the country where this track was created. Piano Sonata in C minor, H.XVI No.20: 2. Andante con moto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Sonata in C minor, H.XVI No.20: 2. Andante con moto by Joseph Haydn, Alfred Brendel to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Italian Concerto in F Major, BWV 971: 3. Presto | Johann Sebastian Bach, Alfred Brendel | F Major | 3 | 7B | 124 BPM | ||
The Well-Tempered Clavier, Book 1, Prelude & Fugue No. 3 in C-Sharp Major, BWV 848: I. Prelude | Johann Sebastian Bach, Sviatoslav Richter | D♭ Minor | 2 | 12A | 133 BPM | ||
Adagio, Theme and Variations in F for Oboe and Orchestra, Op. 102: III. Variation 1 | Johann Nepomuk Hummel, Diana Doherty, Werner Andreas Albert, Queensland Symphony Orchestra | F Major | 0 | 7B | 74 BPM | ||
Lyric Pieces Book IX, Op. 68: No. 2 Grandmother's Minuet | Edvard Grieg, Emil Gilels | G Major | 0 | 9B | 99 BPM | ||
The Well-Tempered Clavier, Book 1, Prelude & Fugue No. 6 in D Minor, BWV 851: I. Prelude | Johann Sebastian Bach, Sviatoslav Richter | D Minor | 2 | 7A | 158 BPM | ||
Adagio, Variations and Rondo on Schone Minka, Op. 78: Variation 4 | Johann Nepomuk Hummel, Lise Daoust, Elizabeth Dolin, Carmen Picard | A Major | 1 | 11B | 128 BPM | ||
Die Schöpfung Hob. XXI:2 / Erster Teil: 13. Chor mit Soli: Die Himmel erzählen die Ehre Gottes | Franz Joseph Haydn, Gösta Winbergh, Kathleen Battle, Kurt Moll, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | C Major | 3 | 8B | 97 BPM | ||
Die Jahreszeiten - Hob. XXI:3 / Der Frühling: No. 6 Terzett und chor: "Sei nun gnädig..." | Joseph Haydn, Anthony Rolfe Johnson, Andreas Schmidt, Barbara Bonney, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir | F Minor | 0 | 4A | 111 BPM | ||
3 Polkas de salon, Op. 7, JB 1:60: No. 1 in F-Sharp Major, Allegro commodo | Bedřich Smetana, Jitka Čechová | F♯ Major | 0 | 2B | 73 BPM | ||
Die Jahreszeiten, Hob. XXI:3, Der Frühling: VIII. Freudenlied mit abwechselndem Chor der Jugend, "Oh, wie lieblich ist der Anblick" | Franz Joseph Haydn, Christina Landshamer, Maximilian Schmitt, Florian Boesch, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | D Major | 1 | 10B | 68 BPM |
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