Gerard de Wit, Johanneke de Wit, Harjo Neutkens, Anne-Linde Visser, Dutch Baroque Vocal Consort's 'Psalm 149:1 "Looft, looft den HEER, dien, onbedwongen"' came out on 2016. With Psalm 149:1 "Looft, looft den HEER, dien, onbedwongen" being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 38 in the song's album "Psalmcomposties voor Koor en Orgel Vol. 3". In this album, this song's track order is #33. Furthermore, we believe that the track originated from Netherlands. Psalm 149:1 "Looft, looft den HEER, dien, onbedwongen" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalm 149:1 "Looft, looft den HEER, dien, onbedwongen" by Gerard de Wit, Johanneke de Wit, Harjo Neutkens, Anne-Linde Visser, Dutch Baroque Vocal Consort having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eilt zu, ruft laut, ihr längst verlangten Boten, TWV 1:415: No. 2, Was macht dein göttlich wahrer Mund | Georg Philipp Telemann, Hanna Herfurtner, Carola Gunther, Mirko Ludwig, Fabian Strotmann, Peter Kooij, Die Kölner Akademie, Michael Alexander Willens | F♯ Major | 1 | 2B | 95 BPM | ||
St. Matthew Passion, BWV 244: No. 3. Chorale: Herzliebster Jesu, was hast du verbrochen | Johann Sebastian Bach, Zeger Vandersteene, Istvan Gati, Magda Kalmár, Julia Hamari, Ernst-Gerold Schramm, Jeunesses Musicales Chorus, Budapest Boys' Choir of the Primary School of Music, Franz Liszt Chamber Orchestra, Frigyes Sándor | B Minor | 3 | 10A | 95 BPM | ||
Flute Sonata No. 3 in G Major, Op. 91: III. Air. Gracieusement | Joseph Bodin de Boismortier, Wilbert Hazelzet, Gerard de Wit | A♭ Major | 2 | 4B | 88 BPM | ||
Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 42, O liebe Seele, zieh die Sinnen, BWV 494 | Johann Sebastian Bach, Masaaki Suzuki, Aki Matsui, Shimon Yoshida, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Versi sopra la messa dell'apostoli, e feste doppie: V. Agnus dei | Giovanni Salvatore, Nova Schola Gregoriana, In Dulci Jubilo, Federico del Sordo, Alberto Turco | E Major | 1 | 12B | 106 BPM | ||
Johannes-Passion, BWV 245.1: 23. Recitativo: Die Jüden aber schrieen und sprachen | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer | D Major | 2 | 10B | 172 BPM | ||
XXV. Ich weiß, daß mein Erlöser lebt | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Florian Helgath, Katharina Bauml | E Minor | 1 | 9A | 92 BPM | ||
Missa Divi Xaverii, ZWV 12: Hosanna | Jan Dismas Zelenka, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | A Major | 2 | 11B | 83 BPM | ||
Missa pro Quadragesima, MH 551: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | C Major | 2 | 8B | 138 BPM | ||
Orgelvers 1 a3 - Psalm 7 | Gerard de Wit | G Minor | 0 | 6A | 141 BPM |
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