"Serenade in A Major, Op. 3 No. 2" by Josef Suk, Steven Isserlis, Stephen Hough was released on November 1, 2005. With this song being about 5 minutes long, at 4:57, "Serenade in A Major, Op. 3 No. 2" by Josef Suk, Steven Isserlis, Stephen Hough is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 11 in Brahms: Cello Sonatas 1 & 2 by Steven Isserlis, Johannes Brahms, Stephen Hough, Antonín Dvořák, Josef Suk. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Serenade in A Major, Op. 3 No. 2 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Serenade in A Major, Op. 3 No. 2 by Josef Suk, Steven Isserlis, Stephen Hough is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Meditation Op.35a | Josef Suk, The Suk Quartet | A Minor | 0 | 8A | 65 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 1 | 4B | 109 BPM | ||
Symphony No. 5 in C Minor, Op. 67: III. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 1 | 4B | 82 BPM | ||
Giselle / Act 1: No. 2 Entrée du Prince | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 0 | 8B | 141 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": I. Allegro vivace | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | A Major | 1 | 11B | 115 BPM | ||
Symphony No. 3 in D Minor, WAB 103 "Wagner" (1877 Version, Ed. L. Nowak): III. Scherzo. Ziemlich schnell | Anton Bruckner, ORF Vienna Radio Symphony Orchestra, Markus Poschner | G Major | 2 | 9B | 77 BPM | ||
Symphony No. 2, Op. 16 "The Four Temperaments": I. Allegro collerico | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | A♭ Major | 0 | 4B | 79 BPM | ||
Serenade for strings in E-Flat Major, Op. 6: II. Allegro ma non troppo e grazioso | Josef Suk, Orpheus Chamber Orchestra | E♭ Major | 2 | 5B | 103 BPM | ||
Schumann, Clara: Scherzo No. 2 in C Minor, Op. 14 | Clara Schumann, Sophie Pacini | A♭ Major | 2 | 4B | 78 BPM | ||
Piano Quartet in E flat, Op.47: 1. Sostenuto assai - Allegro ma non troppo | Robert Schumann, Beaux Arts Trio, Samuel Rhodes | E♭ Major | 1 | 5B | 93 BPM |
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