"The Schoole of Musicke, a Plaine Song - A Toy: I. A Plaine Song. II. A Toy" by Thomas Robinson, Rolf LaFleur, Bengt Ericson was released on December 1, 1993. The duration of The Schoole of Musicke, a Plaine Song - A Toy: I. A Plaine Song. II. A Toy is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. The Schoole of Musicke, a Plaine Song - A Toy: I. A Plaine Song. II. A Toy's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Rolf LaFleur, Bengt Ericson's "Music for Viola Da Gamba And Lute" album is number 14 out of 16. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, The Schoole of Musicke, a Plaine Song - A Toy: I. A Plaine Song. II. A Toy is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Schoole of Musicke, a Plaine Song - A Toy: I. A Plaine Song. II. A Toy by Thomas Robinson, Rolf LaFleur, Bengt Ericson to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia-Suite No. 8 in D Major: III. Galliard | William Lawes, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Calata Al Española | Joan Ambrosio Dalza, Calliope | E♭ Major | 2 | 5B | 174 BPM | ||
Lute Sonata in C Minor, Op. 1, No. 1: I. Largo | Adam Falckenhagen, Andrew Maginley | B Major | 2 | 1B | 98 BPM | ||
Prélude | Charles Mouton, Toyohiko Satoh | C Minor | 1 | 5A | 92 BPM | ||
Quia vidisti me, Thoma | Orlande de Lassus, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 63 BPM | ||
Sonata for Recorder and Continuo in D Minor: III. Allegro | James Paisible, Tamar Lalo, La Ritirata, Josetxu Obregon | C Major | 4 | 8B | 95 BPM | ||
Soneto I | Enríquez de Valderrábano, Shirley Rumsey | F Major | 0 | 7B | 139 BPM | ||
32 courantes: No. 10, L'immortelle in D Minor | Ennemond Gaultier, Rolf Lislevand | D♭ Minor | 1 | 12A | 129 BPM | ||
Pieces de clavecin, Book 2: 7th Ordre: La Menetou (Rondeau) (arr. Y. Imamura) | François Couperin, Yasunori Imamura | D Minor | 1 | 7A | 97 BPM | ||
Marionas | Gaspar Sanz, Antonio de Santa Cruz, Rolf Lislevand, Eduardo Eguez, Beatrice Pornon, Adela Gonzalez-Campa | C Major | 0 | 8B | 150 BPM |
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