Vaughan Williams: Symphony No. 7 "Sinfonia Antartica": V. Epilogue. Alla marcia, moderato
Ralph Vaughan Williams, Andrew Davis, BBC Symphony Chorus, Patricia Rozario, BBC Symphony Orchestra
Vaughan Williams: Symphony No. 3, "A Pastoral Symphony" & Symphony No. 7, "Sinfonia Antartica"
9:17 September 5, 1997
BPM
109
Key
C Major
Camelot
8B

Embed

Share Link

Vaughan Williams: Symphony No. 7 "Sinfonia Antartica": V. Epilogue. Alla marcia, moderato - Ralph Vaughan Williams, Andrew Davis, BBC Symphony Chorus, Patricia Rozario, BBC Symphony Orchestra Information

Acousticness
86%
Danceability
16%
Energy
8%
Instrumentalness
92%
Liveness
11%
Loudness
59%
Speechiness
4%
Valence
4%
Popularity
Loudness
-24.591 dB

Summary

"Vaughan Williams: Symphony No. 7 "Sinfonia Antartica": V. Epilogue. Alla marcia, moderato" by Ralph Vaughan Williams, Andrew Davis, BBC Symphony Chorus, Patricia Rozario, BBC Symphony Orchestra was released on September 5, 1997. Since Vaughan Williams: Symphony No. 7 "Sinfonia Antartica": V. Epilogue. Alla marcia, moderato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Vaughan Williams: Symphony No. 3, "A Pastoral Symphony" & Symphony No. 7, "Sinfonia Antartica" by Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra. The song's track number on the album is #5 out of 9 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Vaughan Williams: Symphony No. 7 "Sinfonia Antartica": V. Epilogue. Alla marcia, moderato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Vaughan Williams: Symphony No. 7 "Sinfonia Antartica": V. Epilogue. Alla marcia, moderato BPM

Since Vaughan Williams: Symphony No. 7 "Sinfonia Antartica": V. Epilogue. Alla marcia, moderato by Ralph Vaughan Williams, Andrew Davis, BBC Symphony Chorus, Patricia Rozario, BBC Symphony Orchestra has a tempo of 109 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Vaughan Williams: Symphony No. 7 "Sinfonia Antartica": V. Epilogue. Alla marcia, moderato being at 109 BPM, the half-time would be 54 BPM with a double-time of 218 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 3/4.

Vaughan Williams: Symphony No. 7 "Sinfonia Antartica": V. Epilogue. Alla marcia, moderato Key

This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Phantasy Quintet: I. Prelude by Ralph Vaughan Williams, Medici String Quartet, Simon Rowland-JonesPhantasy Quintet: I. PreludeRalph Vaughan Williams, Medici String Quartet, Simon Rowland-JonesF Major07B86 BPM
Violin Concerto No. 1 in D Major: II. Andante by Florence Beatrice Price, Er-Gene Kahng, Ryan Cockerham, The Janacek PhilharmonicViolin Concerto No. 1 in D Major: II. AndanteFlorence Beatrice Price, Er-Gene Kahng, Ryan Cockerham, The Janacek PhilharmonicB♭ Major16B79 BPM
English Folk Song Suite: 1. March: Seventeen come Sunday by Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville MarrinerEnglish Folk Song Suite: 1. March: Seventeen come SundayRalph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville MarrinerF Minor24A121 BPM
String Quartet No. 2 in D Major: III. Notturno: Andante by Alexander Borodin, Budapest Haydn QuartetString Quartet No. 2 in D Major: III. Notturno: AndanteAlexander Borodin, Budapest Haydn QuartetA Major111B89 BPM
Borodin - String Quartet No.2 in D major: Notturno: Andante by Alexander Borodin, Borodin QuartetBorodin - String Quartet No.2 in D major: Notturno: AndanteAlexander Borodin, Borodin QuartetA Major211B74 BPM
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro by Dmitri Shostakovich, I Musici de Montréal, Maxim ShostakovichPiano Concerto No. 2 in F Major, Op. 102: I. AllegroDmitri Shostakovich, I Musici de Montréal, Maxim ShostakovichB♭ Major36B160 BPM
Folk Tale by Arnold Bax, Gerald Peregrine, Antony InghamFolk TaleArnold Bax, Gerald Peregrine, Antony InghamG Minor16A167 BPM
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabileJoseph Haydn, Kodály QuartetG Major09B106 BPM
6 Studies in English Folksong (Version for Cello & Piano): No. 4, Lento 6 Studies in English Folksong (Version for Cello & Piano): No. 4, Lento "She Borrowed Some of Her Mother's Gold"Ralph Vaughan Williams, Gerald Peregrine, Antony InghamE Minor09A73 BPM
3 Hungarian Folksongs from the Csìk District, BB 45b, Sz. 35a by Béla Bartók, Zoltán Kocsis3 Hungarian Folksongs from the Csìk District, BB 45b, Sz. 35aBéla Bartók, Zoltán KocsisF♯ Minor011A62 BPM
ISRC
DEA809648505
Label
L-M Records/RCA Records

Section: 0.7823870182037354

End: 0.7872178554534912