On January 1, 2010, the song "Czardas from 'Czardas Princess'" was released by Emmerich Kálmán, Wanda Polanska, Polish Radio Orchestra. The duration of Czardas from 'Czardas Princess' is about 3 minutes long, at 3:08. Based on our data, "Czardas from 'Czardas Princess'" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "Najpiekniejsze arie operetkowe - The most beautiful arias from operettas". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Poland. In terms of popularity, Czardas from 'Czardas Princess' is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Czardas from 'Czardas Princess' by Emmerich Kálmán, Wanda Polanska, Polish Radio Orchestra having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Csárdásfürstin: Act III: "Tausend kleine Engel singen" | Emmerich Kálmán, Hannerose Katterfeld, Elka Mitzewa, Eberhard Büchner, Karl-Friedrich Hölzke, Martin Ritzmann, Dresdner Philharmonie, Heinz Rögner | D Major | 4 | 10B | 86 BPM | ||
Do slubu Marysiu | Mazowsze | C Major | 2 | 8B | 169 BPM | ||
Steuermann, laß die Wacht (Der fliegende Holländer: Matrosenchor, 3.Akt) - 1990 Remastered Version | Richard Wagner, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Robert Heger | G Major | 3 | 9B | 74 BPM | ||
Ohne sorgen | Grande Orchestra Viennese, Arthur Sartiran | C Major | 7 | 8B | 164 BPM | ||
Akt I: Titurel, der fromme Held | Richard Wagner, Georg Zeppenfeld, Philippe Jordan | A♭ Major | 1 | 4B | 76 BPM | ||
L'ambassadrice, AWV 28: Overture | Daniel Auber, Karlovy Vary Symphony Orchestra, Dario Salvi | F Major | 0 | 7B | 87 BPM | ||
Berliner Luft | Paul Lincke, Stockholm Philharmonic Palm Court Orchestra, Lars Almgren | E♭ Major | 2 | 5B | 122 BPM | ||
Mamma | Leo Nucci, Salotto Ottocento Ensemble | F Minor | 3 | 4A | 77 BPM | ||
Il barbiere di Siviglia / Act 1: "Una voce poco fa" - "Sì, sì, la vincerò" (Rosina / Rosina, Figaro, Bartolo, Basilio) | Gioachino Rossini, Gianna D'Angelo, Renato Capecchi, Giorgio Tadeo, Carlo Cava, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | F Major | 1 | 7B | 133 BPM | ||
Konzertwalzer, aus der Oper 'Faust' | Charles Gounod, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | D Major | 1 | 10B | 111 BPM |
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