Die Csárdásfürstin: Act III: "Tausend kleine Engel singen"
Emmerich Kálmán, Hannerose Katterfeld, Elka Mitzewa, Eberhard Büchner, Karl-Friedrich Hölzke, Martin Ritzmann, Dresdner Philharmonie, Heinz Rögner
Kálmán: Die Csárdásfürstin
1:18 January 1, 1974
BPM
86
Key
D Major
Camelot
10B

Embed

Share Link

Die Csárdásfürstin: Act III: "Tausend kleine Engel singen" - Emmerich Kálmán, Hannerose Katterfeld, Elka Mitzewa, Eberhard Büchner, Karl-Friedrich Hölzke, Martin Ritzmann, Dresdner Philharmonie, Heinz Rögner Information

Acousticness
91%
Danceability
12%
Energy
41%
Instrumentalness
82%
Liveness
9%
Loudness
79%
Speechiness
4%
Valence
23%
Popularity
Loudness
-12.343 dB

Summary

Emmerich Kálmán, Hannerose Katterfeld, Elka Mitzewa, Eberhard Büchner, Karl-Friedrich Hölzke, Martin Ritzmann, Dresdner Philharmonie, Heinz Rögner's 'Die Csárdásfürstin: Act III: "Tausend kleine Engel singen"' came out on January 1, 1974. With Die Csárdásfürstin: Act III: "Tausend kleine Engel singen" being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Emmerich Kálmán, Dresdner Philharmonie, Chor der Staatsoper Dresden, Heinz Rögner's "Kálmán: Die Csárdásfürstin" album is number 14 out of 14. On top of that, Germany appears to be the country where this track was created. Die Csárdásfürstin: Act III: "Tausend kleine Engel singen" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Die Csárdásfürstin: Act III: "Tausend kleine Engel singen" BPM

We consider the tempo marking of Die Csárdásfürstin: Act III: "Tausend kleine Engel singen" by Emmerich Kálmán, Hannerose Katterfeld, Elka Mitzewa, Eberhard Büchner, Karl-Friedrich Hölzke, Martin Ritzmann, Dresdner Philharmonie, Heinz Rögner to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Die Csárdásfürstin: Act III: "Tausend kleine Engel singen" Key

D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Vorspiel by Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen RundfunksReineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): VorspielPeter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen RundfunksA Major111B38 BPM
Gounod: Faust, Act 2: Gounod: Faust, Act 2: "Ainsi que la brise légère" (Chorus, Méphistophélès, Faust, Siebel)Charles Gounod, Michel Plasson, José van Dam, Martine Mahé, Richard Leech, Orchestre National Du Capitole De ToulouseA Minor18A94 BPM
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Heia, heia, in den Bergen ist mein Heimatland (Sylva - Boni - Feri - Chor) by Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester GraunkeDie Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Heia, heia, in den Bergen ist mein Heimatland (Sylva - Boni - Feri - Chor)Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester GraunkeC Minor55A91 BPM
Als geblüht der Kirschenbaum by Carl Zeller, Erika Köth, Frank FoxAls geblüht der KirschenbaumCarl Zeller, Erika Köth, Frank FoxF Major27B77 BPM
The Merry Widow (Die lustige Witwe) / Act 2: Walzer by Franz Lehár, Grosses Operetten Orchester, Franz MarszalekThe Merry Widow (Die lustige Witwe) / Act 2: WalzerFranz Lehár, Grosses Operetten Orchester, Franz MarszalekG Major39B99 BPM
Fatinitza: March by Franz von Suppé, Slovak Philharmonic, Richard HaymanFatinitza: MarchFranz von Suppé, Slovak Philharmonic, Richard HaymanA♭ Minor61A170 BPM
Die Juliska Aus Budapest (aus Maske In Blau) by Anneliese RothenbergerDie Juliska Aus Budapest (aus Maske In Blau)Anneliese RothenbergerA Minor58A81 BPM
Radetzky-Bankett-Marsch (fragment) by Johann Strauss I, Slovak Sinfonietta, Zilina, Christian PollackRadetzky-Bankett-Marsch (fragment)Johann Strauss I, Slovak Sinfonietta, Zilina, Christian PollackC Major18B101 BPM
Der Freischütz, J. 277 / Act I: Walzer by Carl Maria von Weber, Staatskapelle Dresden, Carlos KleiberDer Freischütz, J. 277 / Act I: WalzerCarl Maria von Weber, Staatskapelle Dresden, Carlos KleiberA Major411B182 BPM
Bizet: Carmen, WD 31, Act 1: Bizet: Carmen, WD 31, Act 1: "Avec la garde montante" (Chorus)Georges Bizet, Lorin Maazel, Orchestre National De FranceD Minor17A118 BPM
ISRC
DES380012754
Label
L-M Records/RCA Records

Section: 0.5976085662841797

End: 0.601550817489624