Emmerich Kálmán, Hannerose Katterfeld, Elka Mitzewa, Eberhard Büchner, Karl-Friedrich Hölzke, Martin Ritzmann, Dresdner Philharmonie, Heinz Rögner's 'Die Csárdásfürstin: Act III: "Tausend kleine Engel singen"' came out on January 1, 1974. With Die Csárdásfürstin: Act III: "Tausend kleine Engel singen" being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Emmerich Kálmán, Dresdner Philharmonie, Chor der Staatsoper Dresden, Heinz Rögner's "Kálmán: Die Csárdásfürstin" album is number 14 out of 14. On top of that, Germany appears to be the country where this track was created. Die Csárdásfürstin: Act III: "Tausend kleine Engel singen" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Csárdásfürstin: Act III: "Tausend kleine Engel singen" by Emmerich Kálmán, Hannerose Katterfeld, Elka Mitzewa, Eberhard Büchner, Karl-Friedrich Hölzke, Martin Ritzmann, Dresdner Philharmonie, Heinz Rögner to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Vorspiel | Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks | A Major | 1 | 11B | 38 BPM | ||
Gounod: Faust, Act 2: "Ainsi que la brise légère" (Chorus, Méphistophélès, Faust, Siebel) | Charles Gounod, Michel Plasson, José van Dam, Martine Mahé, Richard Leech, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Heia, heia, in den Bergen ist mein Heimatland (Sylva - Boni - Feri - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | C Minor | 5 | 5A | 91 BPM | ||
Als geblüht der Kirschenbaum | Carl Zeller, Erika Köth, Frank Fox | F Major | 2 | 7B | 77 BPM | ||
The Merry Widow (Die lustige Witwe) / Act 2: Walzer | Franz Lehár, Grosses Operetten Orchester, Franz Marszalek | G Major | 3 | 9B | 99 BPM | ||
Fatinitza: March | Franz von Suppé, Slovak Philharmonic, Richard Hayman | A♭ Minor | 6 | 1A | 170 BPM | ||
Die Juliska Aus Budapest (aus Maske In Blau) | Anneliese Rothenberger | A Minor | 5 | 8A | 81 BPM | ||
Radetzky-Bankett-Marsch (fragment) | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | C Major | 1 | 8B | 101 BPM | ||
Der Freischütz, J. 277 / Act I: Walzer | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | A Major | 4 | 11B | 182 BPM | ||
Bizet: Carmen, WD 31, Act 1: "Avec la garde montante" (Chorus) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Minor | 1 | 7A | 118 BPM |
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