Les Chœurs De L'armée Rouge's 'Maxime Perepelitsa: En route' came out on June 13, 2005. The duration of Maxime Perepelitsa: En route is about 3 minutes long, at 3:22. Based on our data, "Maxime Perepelitsa: En route" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Les Chœurs De L'armée Rouge, National du Thèâtre du Bolchoï, The National Tatarstan Orchestra's "La Légende des Tsars" album is number 15 out of 20. On top of that, France appears to be the country where this track was created. Based on our statistics, Maxime Perepelitsa: En route's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Maxime Perepelitsa: En route by Les Chœurs De L'armée Rouge to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Marche Des Trompettes D'aïda | Les Trompettes Du Boute-Selle | B Major | 5 | 1B | 118 BPM | ||
Farewell. Waltz in C Minor, Op. 39, No. 1 | Mykola Lysenko, Andris Nelsons, Wiener Philharmoniker | C Major | 1 | 8B | 178 BPM | ||
Barcarolle: Belle nuit, ô nuit d’amour (Les Contes d’Hoffmann) | Jacques Offenbach, Fatma Said, Sascha Goetzel, Orchestre Philharmonique de Monte-Carlo | D Major | 1 | 10B | 129 BPM | ||
Hungarian Dances, WoO 1: No. 1 in G Minor | Johannes Brahms, Cristian Mandeal, George Enescu Philharmonic Orchestra, Bucharest | G Minor | 2 | 6A | 73 BPM | ||
España - Rhapsody For Orchestra | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 3 | 7B | 129 BPM | ||
Le Lac des cygnes, Op. 20, Acte II : No. 10, Scène. Moderato. | Virtuoso Symphony of London | B Minor | 3 | 10A | 78 BPM | ||
Carmina Burana: Fortune plango vulnera | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | B♭ Major | 2 | 6B | 134 BPM | ||
Masquerade Suite: Mazurka | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A♭ Major | 3 | 4B | 178 BPM | ||
Marche Turque | Wolfgang Amadeus Mozart, Roland Douatte, Orchestre Symphonique Radio Luxembourg | F Minor | 7 | 4A | 128 BPM |
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