"Ahavat Olam" by Samuel Adler, Roslyn Jhunever Barak, Barbara Harbach was released on May 5, 2015. With Ahavat Olam being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists, Samuel Adler, Timothy Koch, Patrick Gardner, David Shifrin, Gerald Wirth's "Milken Archive Digital, Vol. 4 Album 7: Cycle of Life in Synagogue & Home – Sabbath Eve, Pt. 2, Individual Settings, Pt. 1" album is number 16 out of 24. Ahavat Olam is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ahavat Olam by Samuel Adler, Roslyn Jhunever Barak, Barbara Harbach to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in B-Flat Major, C. 62. Allegro (Transcr. and embellishments by Luca Astolfoni Fossi) | Domenico Cimarosa, Claudio Ferrarini | B♭ Major | 3 | 6B | 63 BPM | ||
Bilder aus Osten, Op. 66 (Arr. for String Orchestra by Friedrich Hermann): II. Nicht schnell und sehr gesangvoll zu spielen | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM | ||
Mouret: Rondeau | Schmuzick Productions | D Major | 3 | 10B | 78 BPM | ||
Femina Feminae VI. L'ecole Buissonière | Gerard Pastor, Marta Urzaiz | B Minor | 3 | 10A | 103 BPM | ||
Miklos Rozsa: Hungarian Serenade - V. Danza - HD | Miklós Rózsa, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gregor Bühl | D Major | 2 | 10B | 97 BPM | ||
Bagatelles, Op. 47, B. 79: No. 2, Tempo di minuetto. Grazioso | Antonín Dvořák, Ralph Evans, Efim Boico, Niklas Schmidt, Ryoko Morooka | G Major | 1 | 9B | 116 BPM | ||
5 Sephardic Choruses: III. Ein Keloheinu | Samuel Adler, Mary Ellen Callahan, Helen Kruszewski, Heather Johnson, Matthew Kirchner, Gideon Dabi, Ted Christopher, Rutgers Kirkpatrick Choir, Pen Ying Fang, Patrick Gardner | A Major | 1 | 11B | 121 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto (1915 Version) | Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen | E♭ Major | 1 | 5B | 76 BPM | ||
Romance, Aquarelles Op.19 No.7 (Niels Gade) | The Gerst Ensemble | D Major | 0 | 10B | 85 BPM | ||
Double Bass Concerto in A Major: I. Allegro moderato | Domenico Dragonetti, Massimo Giorgi, I Solisti Aquilani, Vittorio Antonellini | A Major | 1 | 11B | 120 BPM |
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