- BPM
- 178
- Key
- G Major
- Camelot
- 9B
Don Giovanni, K.527, Act I, Scena quinta: Ricominciate il suono! (Don Giovanni/Leporello/Donna Elvira/Donna Anna/Don Ottavio/Masetto/Zerlina) - Wolfgang Amadeus Mozart, William Shimell, Riccardo Muti, Wiener Philharmoniker Information
- Acousticness
- 98%
- Danceability
- 26%
- Energy
- 18%
- Instrumentalness
- 2%
- Liveness
- 27%
- Loudness
- 68%
- Speechiness
- 7%
- Valence
- 22%
- Popularity
- 1%
- Loudness
- -19.138 dB
Summary
Wolfgang Amadeus Mozart, William Shimell, Riccardo Muti, Wiener Philharmoniker's 'Don Giovanni, K.527, Act I, Scena quinta: Ricominciate il suono! (Don Giovanni/Leporello/Donna Elvira/Donna Anna/Don Ottavio/Masetto/Zerlina)' came out on October 31, 1988. The duration of Don Giovanni, K.527, Act I, Scena quinta: Ricominciate il suono! (Don Giovanni/Leporello/Donna Elvira/Donna Anna/Don Ottavio/Masetto/Zerlina) is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Don Giovanni, K.527, Act I, Scena quinta: Ricominciate il suono! (Don Giovanni/Leporello/Donna Elvira/Donna Anna/Don Ottavio/Masetto/Zerlina)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 12 out of 214. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Don Giovanni, K.527, Act I, Scena quinta: Ricominciate il suono! (Don Giovanni/Leporello/Donna Elvira/Donna Anna/Don Ottavio/Masetto/Zerlina) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Don Giovanni, K.527, Act I, Scena quinta: Ricominciate il suono! (Don Giovanni/Leporello/Donna Elvira/Donna Anna/Don Ottavio/Masetto/Zerlina) BPM
We consider the tempo marking of Don Giovanni, K.527, Act I, Scena quinta: Ricominciate il suono! (Don Giovanni/Leporello/Donna Elvira/Donna Anna/Don Ottavio/Masetto/Zerlina) by Wolfgang Amadeus Mozart, William Shimell, Riccardo Muti, Wiener Philharmoniker to be Presto (very, very fast) because the track has a tempo of 178 BPM, a half-time of 89BPM, and a double-time of 356 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
Don Giovanni, K.527, Act I, Scena quinta: Ricominciate il suono! (Don Giovanni/Leporello/Donna Elvira/Donna Anna/Don Ottavio/Masetto/Zerlina) Key
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Stabat Mater: Fac, ut portem Christi mortem | Gioachino Rossini, Riccardo Muti, Orchestra del Maggio Musicale Fiorentino | E Major | 1 | 12B | 79 BPM | |
 | Mass in C Minor, K. 427 "Grosse Messe": Cum sancto spiritu | Wolfgang Amadeus Mozart, Camilla Tilling, Sarah Connolly, Timothy Robinson, Neal Davies, Gabrieli, Paul McCreesh | C Major | 4 | 8B | 107 BPM | |
 | Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act II Scene 3: Aria - Venite, Inginocchiatevi | Donato Di Stefano, Ingrid Kertesi, Roberto Frontali, Jozsef Mukk, Natale de Carolis, Maria Pia Ionata, Patrizia Pace, Hungarian State Opera Orchestra, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | G Major | 0 | 9B | 65 BPM | |
 | Turandot / Act 2: "Ho una casa nell'Honan" | Giacomo Puccini, Heinz Zednik, Francisco Araiza, Gottfried Hornik, Wiener Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 96 BPM | |
| Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act IV Scene 10: Recitativo - Giunse Al Fin Il Momento | Donato Di Stefano, Maria Pia Ionata, Hungarian State Opera Orchestra, Patrizia Pace, Ingrid Kertesi, Natale de Carolis, Roberto Frontali, Jozsef Mukk, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | F Major | 0 | 7B | 63 BPM | |
| Turandot / Act 1: Perché tarda la luna? (Coro) | Giacomo Puccini, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | F♯ Minor | 1 | 11A | 79 BPM | |
 | Die Zauberflöte / Act 2: Marsch der Priester | Wolfgang Amadeus Mozart, Kurt Moll, Clemens Bieber, Hans Joachim Porcher, Andreas Schmidt, Wiener Philharmoniker, Sir Georg Solti | F Major | 0 | 7B | 73 BPM | |
 | Così fan tutte, K.588 / Act 1: "La mia Dorabella" - Live | Wolfgang Amadeus Mozart, Frank Lopardo, Olaf Bär, Michele Pertusi, David Syrus, Chamber Orchestra of Europe, Sir Georg Solti | D♭ Major | 1 | 3B | 164 BPM | |
 | Madama Butterfly / Act 2: Vespa! Rospo maledetto! | Giacomo Puccini, Christa Ludwig, Michel Sénéchal, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | G Major | 3 | 9B | 81 BPM | |
| Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act III Scene 4: Aria - Vedro, Menter'io Sospiro | Donato Di Stefano, Roberto Frontali, Patrizia Pace, Hungarian State Opera Orchestra, Natale de Carolis, Maria Pia Ionata, Ingrid Kertesi, Jozsef Mukk, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | D Major | 2 | 10B | 80 BPM |
- ISRC
- GBAYC9004402
- Label
- L-M Records/RCA Records
Section: 0.6893918514251709
End: 0.6929078102111816