Richard Wagner, Berliner Philharmoniker, Lorin Maazel made "Siegfried, WWV 86C, Act I: Siegfried's Forging of the Magic Sword" available on May 1, 1988. With Siegfried, WWV 86C, Act I: Siegfried's Forging of the Magic Sword being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Wagner: The "Ring" Without Words (Orchestral Highlights from the Ring Cycle) by Richard Wagner, Lorin Maazel, Berliner Philharmoniker. The song's track number on the album is #11 out of 20 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Siegfried, WWV 86C, Act I: Siegfried's Forging of the Magic Sword is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Siegfried, WWV 86C, Act I: Siegfried's Forging of the Magic Sword by Richard Wagner, Berliner Philharmoniker, Lorin Maazel has a tempo of 115 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Siegfried, WWV 86C, Act I: Siegfried's Forging of the Magic Sword being at 115 BPM, the half-time would be 58 BPM with a double-time of 230 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gaîté parisienne: Barcarolle | Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 116 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Des Helden Widersacher | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Minor | 2 | 6A | 143 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
Götterdämmerung, WWV 86D, Act I: Siegfried's Rhine Journey (Dawn and Siegfried's Rhine Journey) | Richard Wagner, Berliner Philharmoniker, Lorin Maazel | E♭ Major | 3 | 5B | 82 BPM | ||
Symphony No. 4 In D Minor, Op. 120: 2. Romanze (Ziemlich langsam) | Robert Schumann, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
Eljen a Magyar, Op.332 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | E Minor | 2 | 9A | 142 BPM | ||
Polovtsian Dances from Prince Igor: VI. Moderato alla breve | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | A Major | 4 | 11B | 184 BPM | ||
Symphony No. 1 in F Minor, Op. 10: I. Allegretto - Allegro non troppo | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | E Major | 0 | 12B | 112 BPM | ||
Don Quixote, Op. 35, TrV 184: Variation I. Das Abenteuer mit den Windmühlen | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | C Minor | 4 | 5A | 110 BPM | ||
Die Meistersinger von Nürnberg, Act 3: Prelude (Orchester) | Richard Wagner, Bavarian State Orchestra, Wolfgang Sawallisch | C Major | 4 | 8B | 49 BPM |
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