"Violin Sonata No. 2, Op. 43" by Malcolm Arnold, Peter Fisher, Margaret Fingerhut had its release date on September 17, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 16 out of 23 in Arnold: A Centenary Celebration by Malcolm Arnold, Peter Fisher, Margaret Fingerhut. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Violin Sonata No. 2, Op. 43 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Sonata No. 2, Op. 43 by Malcolm Arnold, Peter Fisher, Margaret Fingerhut is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Water Music Suite No. 1 in F Major, HWV 348: II. Adagio e staccato | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Minor | 0 | 12A | 106 BPM | ||
Variations on a Norwegian Folktune, Op. 31: I fjol gjaett'e gjeitinn | Johan Svendsen, Latvian National Symphony Orchestra, Terje Mikkelsen | E Major | 1 | 12B | 87 BPM | ||
Finale | Malcolm Arnold | E♭ Major | 4 | 5B | 122 BPM | ||
Three Fantasies Op. 129: III. Andante con moto | Malcolm Arnold, Scott Mitchell | F Major | 0 | 7B | 79 BPM | ||
Bizet / Arr. Guiraud: Carmen Suite No. 1: III. Intermezzo | Georges Bizet, Seiji Ozawa, Orchestre National De France | E♭ Major | 0 | 5B | 74 BPM | ||
Quiet City | Aaron Copland, Paula Engerer, Scott Moore, Nashville Chamber Orchestra, Paul Gambill | F Major | 0 | 7B | 72 BPM | ||
Three Shanties for Wind Quintet, Op. 4: I. Allegro con brio | Malcolm Arnold, Magali Mosnier, Sebastian Manz, Ramon Ortega Quero, Marc Trénel, David Fernandez Alonso | D Minor | 1 | 7A | 148 BPM | ||
Appalachian Spring: III. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | F♯ Major | 0 | 2B | 177 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM |