- BPM
- 77
- Key
- A Major
- Camelot
- 11B
Tritsch-Tratsch, Op. 214 - Johann Strauss II, Győr Philharmonic Orchestra, Janos Sandor Information
- Acousticness
- 81%
- Danceability
- 56%
- Energy
- 32%
- Instrumentalness
- 64%
- Liveness
- 11%
- Loudness
- 75%
- Speechiness
- 3%
- Valence
- 87%
- Popularity
- 1%
- Loudness
- -14.889 dB
Summary
On December 1, 2014, the song "Tritsch-Tratsch, Op. 214" was released by Johann Strauss II, Győr Philharmonic Orchestra, Janos Sandor. The duration of Tritsch-Tratsch, Op. 214 is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Tritsch-Tratsch, Op. 214's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 9 in An der Schonen Blauen Donau - Radetzkymarsch by Johann Strauss II, Janos Sandor. Tritsch-Tratsch, Op. 214 is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Tritsch-Tratsch, Op. 214 BPM
The tempo marking of Tritsch-Tratsch, Op. 214 by Johann Strauss II, Győr Philharmonic Orchestra, Janos Sandor is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Tritsch-Tratsch, Op. 214 Key
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" | Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | C Major | 3 | 8B | 148 BPM | |
 | Madama Butterfly, SC 74 / Act 2: Addio fiorito asil | Giacomo Puccini, Freddie De Tommaso, Philharmonia Orchestra, Paolo Arrivabeni | B Minor | 2 | 10A | 89 BPM | |
 | Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | |
 | Symphony No. 2 in A Major: II. Andante cantabile | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | F♯ Minor | 1 | 11A | 69 BPM | |
 | Light Cavalry | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | A Major | 3 | 11B | 130 BPM | |
 | Samson et Dalila: Bacchanale | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | D Minor | 1 | 7A | 122 BPM | |
 | Die Landstreicher: Overture | Carl Michael Ziehrer, WDR Sinfonieorchester Köln, Helmuth Froschauer | E♭ Major | 3 | 5B | 124 BPM | |
 | Waltz | Aram Khachaturian, Efrem Kurtz, Philharmonia Orchestra | C Major | 4 | 8B | 182 BPM | |
 | Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | |
 | Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7390682697296143
End: 0.7443368434906006