Valérie Karsenti, Herbert von Karajan, Wiener Philharmoniker's 'Silberglöckchen (Le chœur)' came out on November 6, 2013. The duration of Silberglöckchen (Le chœur) is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Silberglöckchen (Le chœur)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Valérie Karsenti, Herbert von Karajan, Wiener Philharmoniker's "La flûte enchantée" album is number 8 out of 20. Silberglöckchen (Le chœur) is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Silberglöckchen (Le chœur) by Valérie Karsenti, Herbert von Karajan, Wiener Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Magic Flute, Act I: Our Lord Sarastro will decide | Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Rebecca Evans, John Tomlinson | E♭ Major | 2 | 5B | 131 BPM | ||
A Midsummer Night's Dream, Op. 61: No. 3, Lied mit Chor. Allegro ma non troppo | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Katharina Konradi, Sophia Burgos, Damen der Zürcher Sing-Akademie, Andreas Felber | E Major | 1 | 12B | 72 BPM | ||
Grande Messe en ut mineur, K. 427: Kyrie | Wolfgang Amadeus Mozart, Orchestre & Chorale Paul Kuentz, Barbara Schlick, Mechthild Georg, Alexander Stevenson, Philip Langshaw | C Major | 2 | 8B | 90 BPM | ||
Le Carnaval des Animaux: Finale | Camille Saint-Saëns, Martha Argerich, Nelson Freire, Gidon Kremer, Isabelle van Keulen, Tabea Zimmermann, Mischa Maisky, Georg Maximilian Hörtnagel, Irena Grafenauer, Eduard Brunner, Markus Steckeler, Edith Salmen-Weber | C Major | 3 | 8B | 103 BPM | ||
Stabat mater, op.58: 5. Coro "Tui nati vulnerati" | Antonín Dvořák, Chor der Sächsischen Staatsoper Dresden; see Dresden State Opera Chorus, Matthias Brauer, Staatskapelle Dresden, Giuseppe Sinopoli | D Major | 1 | 10B | 147 BPM | ||
Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 2: Dialog, "Lasst mich zufrieden! … Was gibt's hier?" (Max, Kuno, Kilian, Kaspar, Chorus) | Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth | E Major | 3 | 12B | 82 BPM | ||
Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Romance: "Der Vollmond strahlt auf Bergeshöh'n" | Franz Schubert, Elly Ameling, Gewandhausorchester Leipzig, Kurt Masur | F Major | 0 | 7B | 76 BPM | ||
Divertissements: I. La danse des bonbons menthe | Valérie Karsenti, Orchestre Philharmonique de Slovaquie, Ondrej Lenard | G Major | 4 | 9B | 79 BPM | ||
Ouverture | Valérie Karsenti, Herbert von Karajan, Wiener Philharmoniker | E♭ Major | 1 | 5B | 94 BPM | ||
Berlioz: Les Nuits d'été, Op. 7, H 81b: I. Villanelle, H 82b | Hector Berlioz, Théophile Gautier, Véronique Gens/Louis Langree/Orchestre de l'Opéra National de Lyon, Louis Langrée, Orchestre De L'Opéra National De Lyon | A Major | 1 | 11B | 134 BPM |
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