"Repentir (O Divine Redeemer)" by Charles Gounod, Kiri Te Kanawa, Utah Symphony Orchestra, Julius Rudel was released on January 1, 1989. With this song being about 5 minutes long, at 5:21, "Repentir (O Divine Redeemer)" by Charles Gounod, Kiri Te Kanawa, Utah Symphony Orchestra, Julius Rudel is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Songs Of Inspiration". In this album, this song's track order is #2. In terms of popularity, Repentir (O Divine Redeemer) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Repentir (O Divine Redeemer) by Charles Gounod, Kiri Te Kanawa, Utah Symphony Orchestra, Julius Rudel having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Cavalleria rusticana: Intermezzo | Pietro Mascagni, Royal Liverpool Philharmonic Orchestra, Domingo Hindoyan, Royal Liverpool Philharmopnic Orchestra | F Major | 1 | 7B | 173 BPM | ||
Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo Muti | C Major | 0 | 8B | 65 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: II. Largo | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | F Major | 0 | 7B | 70 BPM | ||
Faust, Act II: Le veau d'or | Charles Gounod, Boris Christoff, André Cluytens, Orchestre du Théâtre National de l'Opéra de Paris | F Minor | 4 | 4A | 103 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Für Elise, WoO 59 | Ludwig van Beethoven, Nelly Kokinos | A Minor | 1 | 8A | 127 BPM | ||
Le carnaval des animaux (The Carnival of the Animals): Le cygne (The Swan) | Stockholm Chamber Duo | E Major | 1 | 12B | 119 BPM | ||
Orfeo ed Euridice: Melody (arr. G. Sgambati) | Giovanni Sgambati, Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 71 BPM |
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