"Le Roi David, H 37, Part. 3: Mort de David" by Arthur Honegger, Ensemble Vocal de Lausanne, Lucie Chartin, Daniel Reuss, L'Orchestre de la Suisse Romande had its release date on February 3, 2017. This song is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. The track order of this song in Arthur Honegger, L'Orchestre de la Suisse Romande, Daniel Reuss, Athena Poullos, Lucie Chartin, Marianne Beate Kielland, Thomas Walker, Christophe Balissat, Ensemble Vocal de Lausanne's "Honegger: Le Roi David" album is number 27 out of 27. Le Roi David, H 37, Part. 3: Mort de David is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Roi David, H 37, Part. 3: Mort de David by Arthur Honegger, Ensemble Vocal de Lausanne, Lucie Chartin, Daniel Reuss, L'Orchestre de la Suisse Romande to be Lento (slowly) because the track has a tempo of 58 BPM, a half-time of 29BPM, and a double-time of 116 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Petite Suite, L. 65 (Arr. for Chamber Ensemble by Shuhei Isobe): I. En bateau | Claude Debussy, Tokyo Sextet | G Minor | 1 | 6A | 73 BPM | ||
Petrushka, K12 (1947 Version): Ib. Russian Dance | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
Copland: Suite from Appalachian Spring: III. The Bride and Her Intendend. Moderato (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | B♭ Major | 1 | 6B | 61 BPM | ||
Suite from The Miraculous Mandarin, Op. 19, Sz. 73, BB 82: I. Introduction | Béla Bartók, The Cleveland Orchestra, Franz Welser-Möst | F Minor | 1 | 4A | 101 BPM | ||
25 Études faciles et progressives, Op. 100: No. 23, Retour | Franz Burgmüller, The Gerst Ensemble | B♭ Major | 0 | 6B | 63 BPM | ||
Sinfonia antartica "Symphony No. 7": I. Prelude. Andante maestoso | Ralph Vaughan Williams, Elizabeth Watts, BBC Symphony Chorus, BBC Symphony Orchestra, Martyn Brabbins | F Major | 2 | 7B | 116 BPM | ||
Piano Concerto No. 2 in C Minor: III. Andante | Emil von Sauer, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | A Minor | 1 | 8A | 91 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Poco adagio | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
The Seasons, Op. 67, Pt. 4 "L'automne": No. 15, Petit adage | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Piano Concerto in G Major, M. 83: 3. Presto | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | G Major | 3 | 9B | 79 BPM |