"L’Arlésienne Suite No. 1, GB 121: II. Menuet" by Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra was released on September 1, 2016. The duration of L’Arlésienne Suite No. 1, GB 121: II. Menuet is about 3 minutes long, at 3:24. Based on our data, "L’Arlésienne Suite No. 1, GB 121: II. Menuet" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 17 in Bizet: Symphony in C Major - Carmen Suite No. 1 - L'Arlésienne Suites Nos. 1 & 2 by Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. Based on our statistics, L’Arlésienne Suite No. 1, GB 121: II. Menuet's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L’Arlésienne Suite No. 1, GB 121: II. Menuet by Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Peer Gynt, Op. 23: Act II, 7, In the Hall of the Mountain King | Edvard Grieg, Esa-Pekka Salonen | B Minor | 2 | 10A | 104 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
Bolt, Op. 27a (Ballet Suite No. 5): III. The Drayman's Dance (Variations) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Minor | 3 | 4A | 82 BPM | ||
Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra) | Luigi Boccherini, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 0 | 11B | 85 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
The Tale of Tsar Saltan: The Tale of Tsar Saltan: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 1 | 9B | 80 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM |
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