Charles Gounod, Andrea Bocelli, Eugene Kohn's 'A la Madone' came out on January 1, 2011. The duration of A la Madone is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. A la Madone's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Notte Illuminata". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Italy. A la Madone is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With A la Madone by Charles Gounod, Andrea Bocelli, Eugene Kohn having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM | ||
Andante cantabile (II) | Pyotr Ilyich Tchaikovsky, Ofra Harnoy, Sir Charles Mackerras | C Major | 1 | 8B | 74 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Casta Diva" | Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | F Major | 1 | 7B | 176 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
Ave Maria | Charles Gounod, Yo-Yo Ma | C Major | 0 | 8B | 87 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Nobody Knows the Trouble I've Seen | Die 12 Cellisten der Berliner Philharmoniker | D♭ Major | 1 | 3B | 91 BPM | ||
Ave Maria, CG 89a | Charles Gounod, Johann Sebastian Bach, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman, Natsuko Yoshimoto, Katrina Reynolds | G Major | 2 | 9B | 85 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: II. Largo | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | F Major | 0 | 7B | 70 BPM | ||
Albinoni: Adagio in G Minor | Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 90 BPM |
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