Cesare Pugni, Whitefeather Productions, Tatyana Shargorodsky made "The Pharaoh’s Daughter, Act III: Entrée des Nayades (Slow Waltz 3/4 128cts)" available on January 15, 2021. The duration of The Pharaoh’s Daughter, Act III: Entrée des Nayades (Slow Waltz 3/4 128cts) is about 3 minutes long, at 3:22. Based on our data, "The Pharaoh’s Daughter, Act III: Entrée des Nayades (Slow Waltz 3/4 128cts)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Cesare Pugni, Whitefeather Productions, Tatyana Shargorodsky's "Hidden Treasures for Ballet Class, Vol. 1: The Pharaoh's Daughter" album is number 18 out of 32. In terms of popularity, The Pharaoh’s Daughter, Act III: Entrée des Nayades (Slow Waltz 3/4 128cts) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of The Pharaoh’s Daughter, Act III: Entrée des Nayades (Slow Waltz 3/4 128cts) by Cesare Pugni, Whitefeather Productions, Tatyana Shargorodsky to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quartet, Op. 3: II. Tema con variazioni - For Clarinet and String Trio | Cesare Pugni, Italian Classical Consort, Luigi Magistrelli, Giacomo Orlandi, Luca Moretti, Elisabetta Soresina | A Major | 0 | 11B | 84 BPM | ||
Corrente B Minor | Zipoli, Domenico Zipoli, Boris Apostolov | B Minor | 3 | 10A | 123 BPM | ||
The Sleeping Beauty, Act I, Op. 66: No. 6, Waltz | State Academic Symphony Orchestra of the USSR, Yevgeny Svetlanov | B♭ Major | 2 | 6B | 103 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): Carmen's Entrance and Habanera | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Major | 0 | 10B | 115 BPM | ||
Действие I. Сцена ночных фонарей | RuSeasons.TV, Cesare Pugni | D Major | 4 | 10B | 132 BPM | ||
Quartet, Op. 2: I. Allegro - For Clarinet and String Trio | Cesare Pugni, Italian Classical Consort, Luigi Magistrelli, Giacomo Orlandi, Luca Moretti, Elisabetta Soresina | C Major | 3 | 8B | 118 BPM | ||
La Cerrito | RuSeasons.TV, Cesare Pugni | E♭ Major | 2 | 5B | 96 BPM | ||
Sonatina in A Minor | Jiří Antonín Benda, David Bollard | A Minor | 0 | 8A | 104 BPM | ||
Tarantella in D Minor, Op. 23 | William Henry Squire, Oliver Gledhill, Tadashi Imai | D Major | 1 | 10B | 164 BPM | ||
The Pharaoh’s Daughter, Act I: Grand pas des chasseresses, Piu mosso (Battement tendu jeté 2/4 128cts) | Cesare Pugni, Whitefeather Productions, Tatyana Shargorodsky | E Major | 3 | 12B | 95 BPM |
Section: 0.5744378566741943
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