"Brahms" by Thomas Adès, City Of Birmingham Symphony Orchestra was released on February 24, 2004. Brahms is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. The song is number 15 out of 15 in America by Thomas Adès. In terms of popularity, Brahms is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Brahms by Thomas Adès, City Of Birmingham Symphony Orchestra is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Winterreise, Op. 89, D. 911: No. 13, Die Post | Franz Schubert, Ian Bostridge, Thomas Adès | F Major | 1 | 7B | 74 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Claudines Are Everywhere | Thomas Adès | A♭ Major | 0 | 4B | 92 BPM | ||
Black Swan (after Brahms' 6 Piano Pieces, Op. 118: No. 2. Intermezzo in A Major) | Bright Sheng, Seattle Symphony Orchestra, Gerard Schwarz | A Major | 0 | 11B | 69 BPM | ||
Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile | Federico Mompou, Daniil Trifonov | A Major | 0 | 11B | 66 BPM | ||
3 Piano Pieces, Op. 54: I. Vesipisaroita (Raindrops) | Selim Palmgren, Risto Lauriala | E Minor | 0 | 9A | 105 BPM | ||
On an Overgrown Path, Series I: Our Evenings | Leoš Janáček, Thomas Adès | A♭ Minor | 0 | 1A | 68 BPM | ||
On an Overgrown Path, Series I: The Madonna of Frydek | Leoš Janáček, Thomas Adès | D♭ Major | 0 | 3B | 64 BPM | ||
Pas trop vite | Germaine Tailleferre, Cristina Ariagno | D♭ Minor | 0 | 12A | 76 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM |
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