John Adams, Martina Mühlpointner, Kimako Xavier Trotman, Markus Alexander Neisser, Jeannette Friedrich, Darius de Haas, Lilith Gardell, Jonas Holst, Holst Sinfonietta, Klaus Simon's ' "I was Looking at the Ceiling and Then I Saw the Sky: Act I: Song about the On Site Altercation (Dewain, Tiffany, Mike, Leila)" was released on its scheduled release date, October 18, 2005. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. I was Looking at the Ceiling and Then I Saw the Sky: Act I: Song about the On Site Altercation (Dewain, Tiffany, Mike, Leila)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 24 in Adams: I Was Looking at the Ceiling and Then I Saw the Sky by John Adams, Klaus Simon. In terms of popularity, I was Looking at the Ceiling and Then I Saw the Sky: Act I: Song about the On Site Altercation (Dewain, Tiffany, Mike, Leila) is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of I was Looking at the Ceiling and Then I Saw the Sky: Act I: Song about the On Site Altercation (Dewain, Tiffany, Mike, Leila) by John Adams, Martina Mühlpointner, Kimako Xavier Trotman, Markus Alexander Neisser, Jeannette Friedrich, Darius de Haas, Lilith Gardell, Jonas Holst, Holst Sinfonietta, Klaus Simon is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grieg: The Last Spring, Op. 34, No. 2 | Edvard Grieg, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 89 BPM | ||
Sonata for Four Hands, FP 8: I. Prelude | Francis Poulenc, Lucille Chung, Alessio Bax | C Minor | 1 | 5A | 83 BPM | ||
Gnossiennes: No. 5 | Erik Satie, Jean-Yves Thibaudet | G Major | 0 | 9B | 75 BPM | ||
Ellis Island | Meredith Monk, Bruce Brubaker, Ursula Oppens | A Minor | 1 | 8A | 134 BPM | ||
Spring 3 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | E Major | 3 | 12B | 111 BPM | ||
Clarinet Concerto: I. Slowly and expressively - | Aaron Copland, David Singer, Far Cry, A | D Minor | 0 | 7A | 67 BPM | ||
Fauré: Pelléas et Mélisande, Op. 80: III. Sicilienne (Arr. Robilliard) | Gabriel Fauré, Olivier Latry | E♭ Major | 0 | 5B | 74 BPM | ||
blue cathedral | Jennifer Higdon, Oberlin Conservatory Symphony Orchestra, Robert Spano | F Major | 1 | 7B | 103 BPM | ||
Miroirs: III. Une barque sur l'océan | Maurice Ravel, André Laplante | D Major | 0 | 10B | 76 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM |