"blue cathedral" by Jennifer Higdon, Oberlin Conservatory Symphony Orchestra, Robert Spano was released on October 1, 2013. blue cathedral appears to be safe for all ages as it is not explicit. There are a total of 9 in the song's album "The Oberlin Conservatory Symphony Orchestra at Carnegie Hall". In this album, this song's track order is #1. In terms of popularity, blue cathedral is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With blue cathedral by Jennifer Higdon, Oberlin Conservatory Symphony Orchestra, Robert Spano having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto: III. Romance Without Words | Ned Rorem, Philippe Quint, Royal Liverpool Philharmonic Orchestra, José Serebrier | F♯ Major | 1 | 2B | 66 BPM | ||
Holst: The Planets, Op. 32: VII. Neptune, the Mystic | Gustav Holst, Sir Adrian Boult, Geoffrey Mitchell Choir, London Philharmonic Orchestra | A♭ Minor | 0 | 1A | 81 BPM | ||
Concerto for Violin & Orchestra, Op. 14: I. Allegro | Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn | G Major | 2 | 9B | 92 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of Abduction | Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 103 BPM | ||
Concerto pour piano | Germaine Tailleferre, The California Parallele Ensemble, UC Santa Cruz Orchestra, Nicole Paiement | D Major | 2 | 10B | 105 BPM | ||
A Sea Symphony: II. On the Beach at Night, Alone | Ralph Vaughan Williams, Atlanta Symphony Orchestra, Robert Spano, Brett Polegato | E Minor | 1 | 9A | 79 BPM | ||
Serenade for String Orchestra, Op. 11: I. Preludium: Allegro molto | Dag Wirén, Bournemouth Sinfonietta, Richard Studt | C Major | 1 | 8B | 129 BPM | ||
Oceana: 2. First Wave and Rain Train Interlude | Osvaldo Golijov, Scott Tennant, John Dearman, Atlanta Symphony Orchestra, Robert Spano, Atlanta Symphony Chorus | E Minor | 4 | 9A | 97 BPM | ||
Dona Nobis Pacem: O Man Greatly Beloved | Ralph Vaughan Williams, Jessica Rivera, Brett Polegato, Atlanta Symphony Orchestra, Robert Spano | E♭ Major | 2 | 5B | 59 BPM | ||
The Garden of Cosmic Speculation, Part 3: The Jumping Bridge | Michael Gandolfi, Atlanta Symphony Orchestra, Robert Spano | F Minor | 2 | 4A | 130 BPM |
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