Richard Wagner, Hans Hotter, Birgit Nilsson, Christa Ludwig, Wiener Philharmoniker, Sir Georg Solti's 'Die Walküre / Zweiter Aufzug: "Nun zäume dein Ross, reisige Maid"' came out on January 1, 2012. The duration of Die Walküre / Zweiter Aufzug: "Nun zäume dein Ross, reisige Maid" is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Die Walküre / Zweiter Aufzug: "Nun zäume dein Ross, reisige Maid"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 414 in the song's album "Solti - Wagner - The Operas". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Die Walküre / Zweiter Aufzug: "Nun zäume dein Ross, reisige Maid" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Die Walküre / Zweiter Aufzug: "Nun zäume dein Ross, reisige Maid" by Richard Wagner, Hans Hotter, Birgit Nilsson, Christa Ludwig, Wiener Philharmoniker, Sir Georg Solti having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Walküre, WWV 86B / Act III: "Hier bin ich, Vater: gebiete die Strafe!" | Richard Wagner, Régine Crespin, Liselotte Rebmann, Ingrid Steger, Lilo Brockhaus, Danica Mastilovic, Carlotta Ordassy, Barbro Ericson, Cvetka Ahlin, Helga Jenckel, Thomas Stewart, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 3 | 3B | 98 BPM | ||
Der Rosenkavalier, Op. 59, TrV 227: Act I: Mein schoner Schatz | Richard Strauss, Elisabeth Schwarzkopf, Christa Ludwig, Philharmonia Orchestra, Herbert von Karajan | E Major | 0 | 12B | 87 BPM | ||
Elektra, Op.58, TrV 223: "Allein! Weh, ganz allein." | Richard Strauss, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti | F Minor | 2 | 4A | 90 BPM | ||
Götterdämmerung, WWV 86D / Erster Aufzug: "Vom Rhein her tönt das Horn" | Richard Wagner, Helge Brilioth, Thomas Stewart, Karl Ridderbusch, Berliner Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 168 BPM | ||
Bizet: Carmen: Je dis que rien ne m'epouvante - Act Three | Georges Bizet, Kiri Te Kanawa, José van Dam, Plácido Domingo | G Minor | 2 | 6A | 72 BPM | ||
Jenufa / Act 2: Prelude | Leoš Janáček, Wiener Philharmoniker, Sir Charles Mackerras | D♭ Major | 0 | 3B | 91 BPM | ||
Aida / Act 2: Vieni, o guerriero vindice | Giuseppe Verdi, Giorgio Tozzi, Coro del Teatro dell' Opera di Roma, Orchestra Del Teatro Dell'Opera Di Roma, Sir Georg Solti | E♭ Major | 4 | 5B | 73 BPM | ||
Lohengrin, WWV 75 / Act I: "Seht hin! Sie naht, die hart Beklagte!" | Richard Wagner, Kurt Moll, Cheryl Studer, Vienna State Opera Chorus, Peter Burian, Wiener Philharmoniker, Claudio Abbado | E Major | 0 | 12B | 137 BPM | ||
Die Fledermaus / Act 1: Nr.3 Duett: "Komm mit mir zum Souper" | Johann Strauss II, Bernd Weikl, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | G Major | 2 | 9B | 120 BPM | ||
Rigoletto / Act 1: "Quel vecchio maledivami...Va, non ho niente" | Giuseppe Verdi, Sherrill Milnes, Martti Talvela, London Symphony Orchestra, Richard Bonynge | F Minor | 2 | 4A | 66 BPM |
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