"Carmen, Act III: Entr'acte" by Georges Bizet, Leningrad Philharmonic Orchestra, Evgeny Mravinsky was released on February 7, 2017. The duration of Carmen, Act III: Entr'acte is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Carmen, Act III: Entr'acte's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 71 in Evgeny Mravinsky Edition, Vol. 2: Tchaikovsky, Mozart, Berlioz, Stravinsky & R. Strauss by Leningrad Philharmonic Orchestra, Evgeny Mravinsky. Carmen, Act III: Entr'acte is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen, Act III: Entr'acte by Georges Bizet, Leningrad Philharmonic Orchestra, Evgeny Mravinsky is Lento (slowly), since this song has a tempo of 56 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor | Sergei Rachmaninoff, Sviatoslav Richter | E♭ Major | 0 | 5B | 70 BPM | ||
Carmen, Act I: No.7 bis Récit : Reste-là maintenant (Don José/Micaëla) | Georges Bizet, Roberto Alagna, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | E Major | 0 | 12B | 68 BPM | ||
J. Strauss II: Voices of Spring, Op. 410 | Johann Strauss II, Hallé, Bryden Thomson | B♭ Major | 0 | 6B | 103 BPM | ||
The Thieving Magpie - From “A Clockwork Orange" | Gioachino Rossini, National Philharmonic Orchestra, Riccardo Chailly | E Major | 2 | 12B | 89 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
Le docteur Miracle: Scene 7: Quatuor de l'omelette: Voici l'omelette! (Pasquin, Veronique, Le Podestat, Laurette) | Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean | B♭ Major | 1 | 6B | 116 BPM | ||
Violin Concerto BWV 1042 in E Major: Violin Concerto BWV 1042 in E Major: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz | E♭ Major | 3 | 5B | 99 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": I. Allegro | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | E Major | 2 | 12B | 113 BPM |
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